Twelve-year-old Megan Perk unwittingly becomes involved in a criminal’s plan to embezzle money from a construction company and is also the only eyewitness in a serious hit-and-run accident. The chain of events starts when softhearted Megan determines to save a group of feral cats that she discovers in an empty field near her house. Shane Turner is a convicted criminal who is embezzling money from his brother-in-law’s construction company. When he spots Megan hanging around the site of the company’s next project, he sees his whole plan of stealing even more money and then making a perfect getaway going up in smoke. Shane’s scheme requires that the construction project start right away—any busybody do-gooders interested in saving a bunch of worthless wild cats who might delay the start of the building will throw a serious wrench into the plan. As if things weren’t getting complicated enough, one day when Megan is feeding the cats, she hears a screech of brakes, horns blaring, and then sees the crash as a car and a minivan plow into each other. The story comes to a suspenseful climax involving a hot-air balloon, Megan’s abduction by Shane, followed by a daring escape, which she engineers. Megan’s relationship with her little sister is particularly well-handled: Kehret captures the annoyance the older sibling feels towards Kylie, as well as the guilt Megan feels when she knows she’s being mean to her sister. There are moments of compassion and empathy when Megan realizes that Kylie is a person with feelings, too. An absorbing and suspenseful novel with a strong female main character. (Fiction. 9-13)
Pub Date: June 1, 2000
ISBN: 0-525-46388-7
Page Count: 144
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
A sly, side-splitting hoot from start to finish.
The dreary prospect of spending a lifetime making caskets instead of wonderful inventions prompts a young orphan to snatch up his little sister and flee. Where? To the circus, of course.
Fortunately or otherwise, John and 6-year-old Page join up with Boz—sometime human cannonball for the seedy Wandering Wayfarers and a “vertically challenged” trickster with a fantastic gift for sowing chaos. Alas, the budding engineer barely has time to settle in to begin work on an experimental circus wagon powered by chicken poop and dubbed (with questionable forethought) the Autopsy. The hot pursuit of malign and indomitable Great-Aunt Beauregard, the Coggins’ only living relative, forces all three to leave the troupe for further flights and misadventures. Teele spins her adventure around a sturdy protagonist whose love for his little sister is matched only by his fierce desire for something better in life for them both and tucks in an outstanding supporting cast featuring several notably strong-minded, independent women (Page, whose glare “would kill spiders dead,” not least among them). Better yet, in Boz she has created a scene-stealing force of nature, a free spirit who’s never happier than when he’s stirring up mischief. A climactic clutch culminating in a magnificently destructive display of fireworks leaves the Coggin sibs well-positioned for bright futures. (Illustrations not seen.)
A sly, side-splitting hoot from start to finish. (Adventure. 11-13)Pub Date: April 12, 2016
ISBN: 978-0-06-234510-3
Page Count: 352
Publisher: Walden Pond Press/HarperCollins
Review Posted Online: Dec. 21, 2015
Kirkus Reviews Issue: Jan. 1, 2016
BOOK REVIEW
A pitch-perfect middle-grade novel that insightfully explores timely topics with authenticity and warmth.
A nuanced novel about a neurodiverse preteen’s political and social awakening by a Pura Belpré Honor–winning author.
Sixth grader Emilia Rosa Torres sometimes has a hard time keeping up with schoolwork and concentrating on one thing at a time, but her software-developer mother and superinvolved abuelita help her keep on task. Days before her father’s return to their Atlanta suburb from his most recent deployment, her mother goes on a business trip, leaving the middle schooler to juggle his mood swings, her friend troubles, and her looming assignments all on her own. When a social studies project opens her eyes to injustices past and present, Emilia begins to find her voice and use it to make an impact on her community. Writing with sensitivity and respectful complexity, Cartaya tackles weighty issues, such as immigration, PTSD, and microaggressions, through the lens of a budding tinkerer and activist who has ADHD. The members of this Cuban American family don’t all practice the same religion, with Emilia’s Catholic grandmother faithfully attending Mass multiple times a week and the protagonist’s mother celebrating her culture’s Yoruba roots with Santería. Conversations on race and gender crop up through the narrative as Emilia’s grandmother likes to emphasize her family’s European heritage—Emilia can pass as white, with her fair complexion, light eyes and auburn hair. All of these larger issues are effortlessly woven in with skill and humor, as is the Spanish her family easily mixes with English.
A pitch-perfect middle-grade novel that insightfully explores timely topics with authenticity and warmth. (author’s note) (Fiction. 9-12)Pub Date: Aug. 6, 2019
ISBN: 978-0-451-47972-3
Page Count: 336
Publisher: Kokila
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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