An engaging and hope-filled novel that serves as a reminder of the difficult but joyful game that family life can be.

A STOP IN THE PARK

Dissatisfied with his crumbling marriage, hectic workload and chaotic family life, a Washington, D.C., attorney with anger management issues resolves to change his life.

Strack’s moving novel depicts a desperate modern family’s struggle to restore the sense of simple fun and romance that once united them. Since his recent promotion to attorney manager, Michael Stolis is overworked but making enough money to temporarily patch the holes of his life. When his two daughters aren’t watching television or eating junk food, it’s only because Michael is berating them and his wife, Jamie, for allowing it. Jamie, a former journalist who left her career to become a mom, is equally miserable. To distract herself from the poisonous atmosphere, she spends hours shopping online and flirting with other men on Facebook. Michael has numerous passions—chess, running, healthy eating. One day, while walking through Dupont Circle toward another disappointing family dinner, Michael slips away from the family in search of a blitz chess competitor and meets Rufus, a retired black man Michael immediately envies for his “demeanor [that] exuded serenity.” A jovial, sagelike presence, Rufus is an excellent player but doesn’t care about winning, a fact ever-competitive Michael fails to comprehend, especially after he gets creamed. But when Jamie finally boots Michael from the house, which “could be the beginning of the marriage bust” that neither person wants, Rufus may be just the man to help him restore the lighthearted nature of his early marriage. Hopping back and forth between Michael’s and Jamie’s perspectives, Strack delivers piercing dialogue and intense emotional struggle that fashions a chesslike battle for their daughters’ approval and the upper hand. Filled with moments of tenderness and insight, particularly in Michael’s attempts to make his wife and daughters laugh, Strack’s novel expertly captures the nuances of a complicated marriage, including the small tics that can become explosions of contempt. Certain metaphors feel heavy-handed (after discovering a hornets’ nest outside the kitchen window, Jamie sprays it and later notes how, like the nest, “She had a body, but it was vacant”), and the story often errs on the side of melodrama, but Strack writes with clear, thoughtful and passionate prose, making for a tense and compulsively readable story of family redemption.

An engaging and hope-filled novel that serves as a reminder of the difficult but joyful game that family life can be.

Pub Date: Sept. 20, 2012

ISBN: 9781475150995

Page Count: 366

Publisher: CreateSpace

Review Posted Online: Sept. 6, 2012

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With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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REMINDERS OF HIM

After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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