Next book

PATIENCE WRIGHT

AMERICA’S FIRST SCULPTOR AND REVOLUTIONARY SPY

One of nine sisters and one brother born to a Quaker family, Patience grew up in New Jersey and discovered her talent for sculpting figures early on. Widowed and with children to support, she moved in with another sister, gave up vegetarianism and began to work in wax made from animal fats. She and her sister had studios in New York and Philadelphia, and sculpted portrait heads and full figures of many notables. She moved to London in 1772 with a letter of introduction from Ben Franklin, sculpted everyone from William Pitt to the king and queen and was resourceful enough to put notes about what she learned about possible war tactics into the busts she shipped back home. Unfortunately, the only one of her waxworks to survive is the figure of Pitt, in his crypt at Westminster Abbey. Full of fascinating detail, the text is well-matched by lively gouache and pastel illustrations, vibrant with color and texture. While it is too dense for younger children, middle-graders will no doubt be fascinated. (author note, timeline, bibliography) (Picture book/biography. 8-12)

Pub Date: April 1, 2007

ISBN: 0-8050-6770-1

Page Count: 40

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2007

Next book

FARMER GEORGE PLANTS A NATION

A pleasing new picture book looks at George Washington’s career through an agricultural lens. Sprinkling excerpts from his letters and diaries throughout to allow its subject to speak in his own voice, the narrative makes a convincing case for Washington’s place as the nation’s First Farmer. His innovations, in addition to applying the scientific method to compost, include a combination plow-tiller-harrow, the popularization of the mule and a two-level barn that put horses to work at threshing grain in any weather. Thomas integrates Washington’s military and political adventures into her account, making clear that it was his frustration as a farmer that caused him to join the revolutionary cause. Lane’s oil illustrations, while sometimes stiff, appropriately portray a man who was happiest when working the land. Backmatter includes a timeline, author’s notes on both Mount Vernon and Washington the slaveholder, resources for further exploration and a bibliography. (Picture book/biography. 8-12)

Pub Date: Feb. 1, 2008

ISBN: 978-1-59078-460-0

Page Count: 40

Publisher: Calkins Creek/Boyds Mills

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2008

Next book

THE STORY OF SALT

The author of Cod’s Tale (2001) again demonstrates a dab hand at recasting his adult work for a younger audience. Here the topic is salt, “the only rock eaten by human beings,” and, as he engrossingly demonstrates, “the object of wars and revolutions” throughout recorded history and before. Between his opening disquisition on its chemical composition and a closing timeline, he explores salt’s sources and methods of extraction, its worldwide economic influences from prehistoric domestication of animals to Gandhi’s Salt March, its many uses as a preservative and industrial product, its culinary and even, as the source for words like “salary” and “salad,” its linguistic history. Along with lucid maps and diagrams, Schindler supplies detailed, sometimes fanciful scenes to go along, finishing with a view of young folk chowing down on orders of French fries as ghostly figures from history look on. Some of Kurlansky’s claims are exaggerated (the Erie and other canals were built to transport more than just salt, for instance), and there are no leads to further resources, but this salutary (in more ways than one) micro-history will have young readers lifting their shakers in tribute. (Picture book/nonfiction. 8-10)

Pub Date: Sept. 1, 2006

ISBN: 0-399-23998-7

Page Count: 48

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2006

Close Quickview