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FOR THE LOVE OF SOCCER!

The legendary soccer player composes a stirring ode to his beloved sport. In first-person narration, Pelé describes his lifetime passion for the game, which began in childhood. In succinct yet eloquent prose he evokes the essence of soccer, making it accessible to a very young audience. Readers vicariously experience the thrill of a well-played game, culminating in the exhilaration of scoring a goal. Particular emphasis is placed on the value of teamwork and good sportsmanship. Morrison’s vibrant, energetic illustrations depict a dual story. Each two-page spread features vignettes from Pelé’s career on one page (subtly aging their subject over the course of the book), while the facing page reveals a parallel story line of a modern-day child learning to love the game. The vivid pictures, featuring slightly elongated figures and tilted perspectives, convey all the energy of this universal sport. A two-page addendum follows the story, describing the author’s life and soccer career. A must-share for soccer enthusiasts of any age. (Picture book. 3-8)

Pub Date: May 25, 2010

ISBN: 978-1-4231-1538-0

Page Count: 32

Publisher: Disney-Hyperion

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 1, 2010

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LITTLE MELBA AND HER BIG TROMBONE

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.

Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.

Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)

Pub Date: July 1, 2014

ISBN: 978-1-60060-898-8

Page Count: 40

Publisher: Lee & Low Books

Review Posted Online: June 3, 2014

Kirkus Reviews Issue: June 15, 2014

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PIPER CHEN SINGS

This book sings.

Hamilton star Soo’s debut picture book centers on a young girl confronting stage fright.

Piper Chen twirls through her days with her mouth wide open. When Mr. Harris, her music teacher, asks Piper if she’d like to sing a solo in the Spring Sing, she immediately answers, “Yes!” But later, she finds herself frozen during practice. Later, Piper’s grandmother Nǎi Nai notices that Piper isn’t singing, and Piper explains about the solo and the butterflies in her stomach. Nǎi Nai understands and explains that she experienced “húdié” (Chinese for butterflies) at her first piano recital. They also visited whenever something exciting was ahead, like when she left China for America, when she graduated from music school, and when she became a U.S. citizen. “Now, when they greet me, I greet them back. ‘Hello, húdié. Nǐ hǎo.’” The night of the show, Piper feels the butterflies flapping their wings. She hums to herself, “Hello, húdié” and sings. Soo and Pasquale Doran sensitively capture the anxiety of performing and draw parallels with other life changes while giving readers a concrete tool for addressing those butterflies. Leng’s delicate, expressive ink, watercolor, and oil pastel illustrations capture Piper’s enthusiasm and uncertainty as well as Nǎi Nai’s loving warmth, working seamlessly with the text in vignettes and full spreads. Piper Chen and Nǎi Nai are Chinese American; Mr. Harris is brown-skinned.

This book sings. (Picture book. 4-8)

Pub Date: April 2, 2024

ISBN: 9780593564691

Page Count: 40

Publisher: Random House Studio

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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