An intriguing, if uneven, collection of one author’s varied creative output.
A miscellaneous anthology of poems, drawings and stories.
Nero (Poems without Titles, 2010) fills this large volume with a broad selection of examples from the various forms in which he works. It contains dozens of free-form, mostly impressionistic verses of an extremely idiosyncratic nature—linguistically playful but possessing nothing else of poetic value. Interspersed among these are many of the author’s cartoons, which generally follow the same whimsical style, with clever puns, mismatched metaphors and wordplay in titles such as, “A Community of Crows Cussing” or “Malinda’s Mattress Makes Music.” The real meat of the anthology, however, are Nero’s short stories, which range from single-page vignettes (“The Old Man”) to far longer, more ambitious minidramas (“Vito’s Big Score”). They often reflect a wry, slightly world-weary view of life, which clings to a ragged kind of courage against all odds. In “A Special Place,” for example, the devil tempts an aspiring writer, who reflects on the embattled nature of human life: “Some are born blessed, others must reach out, fall to their knees, beg the lord, light candles, consult witches, sorcerers and magi,” he observes. “When all else fails, they must make the final attempt at the last hope for greatness.” Some stories are taut and angry, such as “Chiazzo,” about a dog trained to hate military uniforms, and some are looser and more idea-driven, such as “Runners in the Night,” in which six hobos testily debate the nature of time and reality. The short story “Gil” is the collection’s high point. In it, the narrator, Pepe, shares a beer with the real-life postmodern novelist Gilbert Sorrentino, who recounts, among other things, the fallout from his 1971 novel Imaginative Qualities of Actual Things. The two men sit at the bar and quickly come to know and like each other, and Nero renders the whole scene with an appealing naturalness. Overall, these short stories are the real attraction of this volume and make for some excellent reading.
An intriguing, if uneven, collection of one author’s varied creative output.Pub Date: N/A
ISBN: 978-1-4583-3729-0
Page Count: -
Publisher: CreateSpace
Review Posted Online: Nov. 19, 2014
Review Program: Kirkus Indie
Therapeutic, moving verse from a promising new talent.
Keridan’s poetry testifies to the pain of love and loss—and to the possibility of healing in the aftermath.
The literary critic Geoffrey Hartman once wrote that literature—and poetry, in particular—can help us “read the wound” of trauma. That is, it can allow one to express and explain one’s deepest hurts when everyday language fails. Keridan appears to have a similar understanding of poetry. She writes in “Foreword,” the opening work of her debut collection, that “pain frequently uses words as an escape route / (oh, how I know).” Many words—and a great deal of pain—escape in this volume, but the result is healing: “the ending is happy / the beginning was horrific / so let’s start there.” The book, then, tracks the process of recovery in the wake of suffering, and often, this suffering is brought on by romantic relationships gone wrong. An early untitled poem opens, “I die a little / taking pieces of me to feed the fire / that keeps him warm / you don’t notice that it’s a slow death / when you’re disappearing little by little.” The author’s imagery here—of the self fueling the dying fire of love—is simultaneously subtle and wrenching. But the poem’s message, amplified elsewhere in the book, is clear: We go wrong if we destructively give ourselves over to others, and healing comes only when we turn our energies back to our own good. Later poems, therefore, reveal that self-definition often equals strength. The process is painful but salutary; when “you’re left unprotected / surrounded by chaos with nothing you / can depend on / except yourself / and that’s when you gather the pieces / of the life you lost / and use them to build the life you want.” The “life you want” is an elusive goal, and the author knows that the path to self-definition is fraught with peril—but her collection may give strength to those who walk it.
Therapeutic, moving verse from a promising new talent.Pub Date: Nov. 2, 2018
ISBN: 978-1-72770-538-6
Page Count: 196
Publisher: CreateSpace
Review Posted Online: Jan. 9, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Downbeat but often engaging poems and stories.
A slim volume of largely gay-themed writings with pessimistic overtones.
Poe (Simple Simon, 2013, etc.) divides this collection of six short stories and 34 poems into five sections: “Art,” “Death,” “Relationship,” “Being,” and “Reflection.” Significantly, a figurative death at the age of 7 appears in two different poems, in which the author uses the phrase “a pretended life” to refer to the idea of hiding one’s true nature and performing socially enforced gender roles. This is a well-worn trope, but it will be powerful and resonant for many who have struggled with a stigmatized identity. In a similar vein, “Imaginary Tom” presents the remnants of a faded relationship: “Now we are imaginary friends, different in each other’s thoughts, / I the burden you seek to discard, / you the lover I created from the mist of longing.” Once in a while, short story passages practically leap off of the page, such as this evocative description of a seedy establishment in Lincoln, Nebraska: “It was a dimly lit bar that smelled of rodent piss, with barstools that danced on uneven legs and made the patrons wonder if they were drunker than they thought.” In “Valéry’s Ride,” Poe examines the familial duties that often fall to unmarried and childless people, keeping them from forming meaningful bonds with others. In this story, after the double whammy of Hurricanes Katrina and Rita hits Louisiana, Valéry’s extended family needs him more than ever; readers will likely root for the gay protagonist as he makes the difficult decision to strike out on his own. Not all of Poe’s main characters are gay; the heterosexual title character in “Mrs. Calumet’s Workspace,” for instance, pursues employment in order to escape the confines of her home and a passionless marriage. Working as a bookkeeper, she attempts to carve out a space for herself, symbolized by changes in her work area. Still, this story echoes the recurring theme of lives unlived due to forces often beyond one’s control.
Downbeat but often engaging poems and stories.Pub Date: Nov. 16, 2015
ISBN: 978-1-5168-3693-2
Page Count: 120
Publisher: CreateSpace
Review Posted Online: March 5, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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