The author had some fun; the reader will too.
Everett (The Water Cure, 2007, etc.) returns with what might be considered a wacky slapstick.
His allegory about race, class and celebrity takes a turn toward the silly, as the protagonist’s name—literally, “Not Sidney Poitier”— inspires all sorts of Abbott and Costello “Who’s on First?” riffing. (“Knot, with a k?”...“Not with a k”…“That’s what I said”… “N-O-T”…“Sidney?”… “Not my name is not Sidney. My name is Not Sidney.”) Not Sidney is an orphan, born to a crazy woman following a 24-month pregnancy. Yet his late mother was wiser than most of the other characters the young innocent will encounter in his wildly absurd travels across the American South. At least she had the good sense to invest early and often in the Turner Broadcasting System, leaving her son so rich he does not know the extent of his fortune. Since Not Sidney never knew his father, the two formative figures in his life are Ted Turner, who takes him in after his mother’s death, and Percival Everett, a buffoon of a professor who spouts nonsense as higher sense. (The standard disclaimer, that “this novel is NOT in any way a depiction of anyone living, dead or imagined by anyone other than the author,” is followed by a rather more unusual corollary: “This qualification applies, equally, to the character whose name is the same as the author’s.”) Turner and Everett rescue Not Sidney when he, like Huck Finn, attempts to light out for the territory and lands in the racist backwoods of Peckerwood County and Smuteye, Ala. Yet Not Sidney encounters racism in subtler ways, such as when a prospective girlfriend’s parents dismiss him as too dark until the extent of his fortune reveals him to be plenty light enough.
The author had some fun; the reader will too.Pub Date: June 1, 2009
ISBN: 978-1-55597-527-2
Page Count: 270
Publisher: Graywolf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2009
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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