As an astute judge of character, Everett recognizes that wounds are an essential part of the human condition. The...
Frontier justice takes a contemporary turn in this Western novel of literary ambition and psychological depth.
Amid the wilds of Wyoming, the latest from the prolific Everett (American Desert, 2004, etc.) finds racists and homophobes supplanting cattle rustlers as threats to societal stability. The novel’s first-person narrator is John Hunt, a horse trainer who specializes in problem animals and a rancher who seems to attract human strays. As a strong man who does a tough job in a hard place, the uncommonly reflective widower reveals himself slowly. He’s one of the few black residents in a region of whites and American Indians. He’s also far better educated than most of his neighbors, with a New England prep school pedigree and a degree in art history from Berkeley (paintings by Paul Klee and Kandinsky grace his ranch house walls). One can’t take the measure of Hunt too quickly, and he does his best to extend the same courtesy to others, though he plainly prefers animal companionship to that of most humans. Within this “live and let live” society, the murder of a homosexual, followed by the arrival of protesters, sparks a series of hate crimes (with racial epithets as calling cards) that law enforcement seems powerless to prevent. Hunt shines as the novel’s beacon of decency, but Everett surrounds him with more characters than the novelist takes space to develop and some plot devices (a metaphor-heavy cave, a three-legged coyote) that scream Symbolism 101. Yet the narrative voice remains thoughtful and consistently engaging, while the momentum of the plot accelerates as complications ensue. A man who strives to adhere to moral absolutes, Hunt embodies a perfection that can aggravate some who are closest to him, who feel that they fall short. Both Hunt and the reader ultimately discover that such perfection comes at a price.
As an astute judge of character, Everett recognizes that wounds are an essential part of the human condition. The possibility of healing gives his novel its redemptive power.Pub Date: Sept. 1, 2005
ISBN: 1-55597-427-9
Page Count: 256
Publisher: Graywolf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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