An ambitious if uneven effort to update the Torah.
Debut author Zenz offers a poetic rewrite that aims to make Scripture more accessible.
For readers who find Scripture too difficult, too long, or too boring, the poet aims to remake it in easy, contemporary verse. It’s a great idea, if a hard one to pull off. Zenz admits the religious challenges: for the devout, the Bible is sacred, and adjusting its message, whether by intent or by mistake, is seen as sinful. However, this book, which focuses on the Torah, sometimes seems to ignore these pitfalls. Indeed, the Bible is not only spiritually significant; it’s one of the pillars of world literature, and rewriting it is akin to rewriting Shakespeare. The troubles start in this book’s first lines of Genesis: “In the beginning of the earth, / Of living things, there was a dearth.” It’s hard to improve on the King James Version’s timeless opening, “In the beginning,” so the poet’s foundation is sound. But his addition—“of the earth”—is odd, as Genesis 1 starts out not just before the Earth, but before everything: there are no sun, no stars, no planets, no nothing, so these three extra words are misleading. The second phrase is equally problematic, as its nonstandard syntax—which opens awkwardly with the prepositional phrase “of living things”—sets up a forced rhyme of “earth” and “dearth.” Of course, there are much stronger passages elsewhere, each of which reveals the poet’s skill. One high point is his rendering of the sacrifice of Isaac: “So up Moriah the old man went, / Isaac knowing naught, / With wood and knife and stony flint, / The sacrifice he brought.” Much of the genius of the original Torah comes from its concision, and the poet replicates that effect here, wasting no words as Abraham brings his son to the altar. But it’s hard to maintain that level of quality throughout; as a result, this book serves mostly to remind readers of the Bible’s own poetic genius.
An ambitious if uneven effort to update the Torah.Pub Date: March 8, 2017
ISBN: 978-1-5127-7314-9
Page Count: 168
Publisher: Westbow Press
Review Posted Online: June 26, 2017
Review Program: Kirkus Indie
An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)
Pub Date: July 10, 1995
ISBN: 0-345-39606-5
Page Count: 432
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.
Pub Date: Feb. 1, 2000
ISBN: 0-375-50396-X
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
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