When he was 33, Harvard alumnus Alson was busted for bookmaking. His memoir is a diverting answer to the proverbial question: ``What's a nice boy like you doing in a place like this?'' Alson (a nephew of Norman Mailer's) was full of literary promise; his early Harvard stories were critically applauded. Later he spends a summer on the Cape trying to crank out a first novel. But he has writer's block. Unable to write, going nowhere in the relationship with his lover, Anna, and running out of money, Alson accepts a job offer from Michael, the son of a friend, who is making big bucks as a bookie and who is himself an alumnus of Brown. On Manhattan's St. Mark's Place, in a tenement apartment filled with cigarette butts and leftover takeout food, Alson enters the underworld. He learns about the odds, the ``line,'' the ``vigorish,'' the ``juice.'' He spends his days writing thousands of dollars in bets; he is surrounded by wads of cash and touched by greed. Slowly, he bonds with his screwed-up fellows in crime, the ``boys at the office'': Bob, the Monkey, Steak Knife, Pat, Bernie, Eddie, Spanky. Even as he battles guilt and fear, he begins to bring new bettors to the business and begins to make money; he becomes one of the boys. He teaches Bob about Anna Karenina and seeks wisdom from ``frog-throated'' Monkey. From Morrie Krause (whose apartment the bookies rent), an unwashed man who makes periodic entrances like Seinfeld's Kramer, he accepts a friendly Christmas gift, a videotape called Anal Agony. When finally the police smash through the office door, Alson goes to jail and, hour by hour, describes why doing time for even a night is enough to bring him back to his writing. As they say around Alphabet City, it takes what it takes. A good story, simply told and often affecting. (Author tour)

Pub Date: March 1, 1996

ISBN: 0-517-70330-0

Page Count: 288

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 15, 1995

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From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.


A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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