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HALFWAY TO SCHIST by Peter  Bridgford

HALFWAY TO SCHIST

by Peter Bridgford

Pub Date: March 31st, 2022
ISBN: 978-1-68433-909-9
Publisher: Black Rose Writing

A teenage American girl finds herself on a remote Canadian lake in this geology-themed YA novel.

Buffalo, New York, 1955. Red Rogers knows a lot about rocks. Both her parents are geologists, so it comes with the territory. After her mom chooses suicide, Red realizes that rocks were central to the way the woman interacted with the world. “My father liked to say I needed to understand that my mother had been born with a heart of stone,” recalls Red. “My mother, he said, couldn’t comprehend human nature, especially her own, but she understood stones, rocks and ice, and all the processes they went through.” Just as Red is settling into high school, her father decides to move both of them to a remote Canadian island in order to renovate his dead uncle’s fishing lodge—not exactly the kind of place where Red wants to spend her 16th birthday. The lodge is even more rustic and isolated than Red had imagined, but she finds some unexpected friendships with two local teens: Walter Mohaney, a skilled carpenter and amateur boatbuilder, and Isadore Whitefeather, a handy First Nations mechanic who works alongside his stoic grandfather. After Red acclimates to the tensions between the townies and the wealthy seasonal tourists—and an unexpected organized crime presence—she comes to better understand her father and her deceased mother. As Red’s summer unfolds, she examines some of the geology-centric fables that her mother bequeathed her in an old diary as well as the letter she left labeled “FOR RED. DO NOT OPEN UNTIL YOUR 16th BIRTHDAY.” If there’s one thing that every rockhound knows, it’s that human lives pass by in the blink of an eye—at least when you’re measuring them in geological time.

Bridgford’s prose is measured but full of movement, deftly capturing both Red’s angst and the liberty she feels in her new setting: “I kept the boat zipping along, and soon the freedom of being my own captain became intoxicating to me. I never wanted it to stop. For the first time I felt completely free and I wanted nothing more than to be alongside a noisy boat motor and feel the spray and wind on my face as I piloted my own craft among the islands of what now seemed such an enchanting place.” Red narrates the book from far in the future, which makes the story feel more contemplative than urgent. The author displays a tendency to let Red summarize her memories more often than dramatizing them as scenes. This, coupled with the 1950s setting, brings to mind an earlier era of YA fiction. That isn’t to say that the novel doesn’t have many of the familiar tropes of the genre, including social hierarchies, fast friendships, betrayals, queer longing, and a fairly explosive ending. Red lives a lot of life over the course of one summer, and by the time readers reach the final pages, they will feel as if they have, too.

A thoughtful, engaging tale about loss and growing up.