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K BLOWS TOP

A COLD WAR COMIC INTERLUDE STARRING NIKITA KHRUSHCHEV, AMERICA’S MOST UNLIKELY TOURIST

A fast-paced work of political history, peppered with references to Shirley MacLaine’s knickers, Iowa corn, Dwight...

A high-spirited, often hilarious account of a forgotten moment in Cold War history.

It began as something of a dare, as if the last occupant of the White House had invited Saddam Hussein to visit Niagara Falls and the Grand Canyon and then debate the superiority of American over Ba’athist culture. In this instance, following the so-called Kitchen Debate in Moscow, Nikita Khrushchev set out on a road show to beat the capitalists at their own game, proving that the Soviets knew all about refrigerators, ICBMs and hot dogs. Former Washington Post reporter Carlson writes that Khrushchev’s back-and-forth wanderings across the country in 1959 were quite bizarre, drawing many protests but some admiration. Among those in the former camp was Marilyn Monroe, who thought the Russian leader “was fat and ugly and had warts on his face and he growled...Who would want to be a Communist with a president like that?” Walt Disney refused him admission to Disneyland, and the American Dental Association refused to make room for him when he arrived in New York. A less volatile ruler might have brushed such things aside, but Khrushchev, goaded by Richard Nixon, was in a fighting mood, clearly wanting to impress upon the American people the fact that his finger was on the button that could launch thermonuclear doomsday. Carlson writes both vividly and sardonically of Khrushchev’s tour, with its mundane and strange moments alike, among the latter a wonderful moment when the San Francisco Beats erected a sign to greet “Big Red” with the words, “Welcome to San Francisco, Noel Coward!” Fortunately, given all the opportunities to tick Khrushchev off beyond repair, Americans behaved themselves.

A fast-paced work of political history, peppered with references to Shirley MacLaine’s knickers, Iowa corn, Dwight Eisenhower’s frown, Nina Khrushchev’s sidelong glances at Frank Sinatra and all the other makings of mutually assured destruction.

Pub Date: June 1, 2009

ISBN: 978-1-58648-497-2

Page Count: 352

Publisher: PublicAffairs

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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