by Peter Catalanotto ; illustrated by Peter Catalanotto ‧ RELEASE DATE: Oct. 1, 2019
As delightful as any of the bounteous, monkey-filled books out there.
A third outing for friends Monkey and Robot spells all sorts of F-U-N.
Catalanotto continues the series’ usual formula: four stand-alone chapters peppered with the primate-machine odd couple’s antics. In the first chapter, Monkey asks Robot which day he was born. Robot says, “I was not born. I was built.” Since that “built-day” happens to be the next day, Monkey brainstorms aloud his wildest party ideas. Cake! Cookies! Balloons! Surprises! Despite Robot’s insistence that he doesn’t want to celebrate, Robot eventually goes along with the plan—and maybe even feels as special as Monkey wants him to. Other chapters cover a visit from an “ex-gladiator” (translation: exterminator), a birdsitting accident involving the neighbor’s parakeet, and a giggly, messy human baby. Though all four chapters practically bounce with silliness, there’s an overall groundedness that supports the overarching “I can fix it” theme. Black-and-white illustrations carry the text’s simple dialogue and occasional narration from panel to panel. On average, there are three or four panels per page. The few human side characters show some diversity in skin tone. Clothed, anthropomorphic Monkey’s childlike innocence and curiosity are spot-on—if a bit too human for pure comfort. One notable scene touches briefly on transracial adoption when Monkey asks why mother Tina, who presents white, looks different from baby Zhen, who is Chinese.
As delightful as any of the bounteous, monkey-filled books out there. (Graphic early reader. 6-8)Pub Date: Oct. 1, 2019
ISBN: 978-1-939547-59-0
Page Count: 64
Publisher: Creston
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
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by Sara Ball with Matt Garczynski ; illustrated by Sara Ball ‧ RELEASE DATE: Oct. 9, 2018
Dog lovers and young Dr. Moreaus alike will guffaw.
Split pages allow mixing and matching sections of 10 purebred canines.
Forget cockapoos and labradoodles—flipping the three segments here back and forth makes for some truly unlikely hybrids: “I’m a Bulldog— / Yorkshire Terrier— / Great Dane mix”; “I’m a Komondor— / Greyhound— / Poodle mix”; “I’m a Dachshund— / Shar-Pei— / Dalmatian mix.” Ball (Flip-O-Storic, 2011) cranks up the drollery with a set of big, handsome pooches drawn and colored to set off their distinctive characteristics, posed naturalistically against plain yellow backgrounds, and looking up or out with doggy devotion. She also adds the occasional tail-pulling puppy, silly hat, or other comical side business. In addition to the identifying captions, Garczynski contributes a table of descriptive information about each breed at the beginning. This includes to-scale silhouettes that are helpful since all of the interior dogs are rendered the same size so that the transitions more or less match up. (Although the Yorkie’s stubby forelegs still make a peculiar mismatch with the lanky hind limbs of the Great Dane.) Also, each sturdy strip features a “personal” observation, such as the Dalmatian’s “I’m known for my distinctive spots. If I open my mouth, you’ll even see spots in there.” Aside from the note of condescension in the Shar-Pei’s claim that its tongue “was once thought to ward off evil spirits,” these last are at least innocuous and sometimes informative.
Dog lovers and young Dr. Moreaus alike will guffaw. (Novelty picture book. 6-8)Pub Date: Oct. 9, 2018
ISBN: 978-0-7892-1310-5
Page Count: 22
Publisher: Abbeville Kids
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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by Sara Ball with Lauren Bucca ; illustrated by Sara Ball
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by Britta Drehsen & illustrated by Sara Ball & translated by Laura Lindgren
by Emmy Kastner ; illustrated by Emmy Kastner ‧ RELEASE DATE: Aug. 2, 2022
After a promising start, this autumnal offering ultimately disappoints.
Change is on the horizon for a trio of leaves at home in the branches of various trees in a park.
When the air grows chilly, Birch, Oak, and Maple all experience different emotions. Birch is optimistic and expectant, Oak is cautious and reluctant, and obstinate Maple feels left out as the other leaves change colors but she doesn’t. Illustrations rendered in acrylic gouache, colored pencil, and collage depict endearingly anthropomorphized leaves, with autumnal colors that pop. As the leaves learn more about fall from a pair of knowledgeable squirrels, Maple’s slow change to red is overshadowed by her impatience to join her friends. It’s only when she pulls herself free that she learns about the downside of fall—namely, the bottoms of boots, rain gutters, and rakes. Much like the shift from the bright crisp early days of autumn to the damp cold ones later in the season, it’s here that the story changes, going from a surprisingly nuanced examination of growth to something fluffy and less interesting. A young girl with straight black hair and tan skin finds the fallen leaves and takes them home, where she draws them as anthropomorphic characters, and all discussion of the importance of change is lost. Caregivers looking for a springboard to a discussion about growing up and the uncertainty of change may find this useful, but its sputtering ending detracts from its early momentum. Maybe next year will bring a more promising crop of leaves. (This book was reviewed digitally.)
After a promising start, this autumnal offering ultimately disappoints. (Picture book. 6-8)Pub Date: Aug. 2, 2022
ISBN: 978-0-358-41945-7
Page Count: 40
Publisher: Clarion/HarperCollins
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
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