An uneven war story that will appeal to aficionados of the Pacific theater and wartime espionage.
Bringing to light a little-known facet of the Pacific theater in World War II.
Veteran foreign correspondent Eisner (The Pope's Last Crusade: How an American Jesuit Helped Pope Pius XI's Campaign to Stop Hitler, 2013, etc.) tracks three complicated stories of Allied heroics that took place when the Japanese attacked and invaded the Philippines just after the bombing of Pearl Harbor. The Japanese overran the American-held archipelago, driving the Americans to the Bataan peninsula and to the fortress of Corregidor before eventually forcing Gen. Douglas MacArthur to flee to Australia with his family and staff in March 1942 and the rest of the Americans and Filipinos to surrender ignominiously in April. Moving chronologically, Eisner alternates among the characters while concentrating on the actions of an enigmatic American woman from Michigan, born Claire Phillips, who had so many aliases and secrets after she left home as a teenager that it was hard for the biographer to ascertain the truth. Nonetheless, after three marriages, she wound up in Manila, braving the Japanese occupation with a foster child. After wooing a younger American soldier, with whom she went to Bataan, she eventually opened a nightclub for the Japanese officers in Manila, the Tsubaki Club, in order to finance her covert activities to aid the American POWs. Meanwhile, above the hills of Bataan, John Boone, a 29-year-old colonel, had lost contact with his army after the Japanese invasion and, recognizing the desperation of the surrender, began to organize a guerrilla army made up of other stragglers and deserters, supported materially by Phillips, known as “High Pockets,” and others. Eisner’s third link is slippery U.S.–born Navy reserve officer Charles “Chick” Parsons, who, masquerading as a Spanish- and Tagalog-speaking businessman, was able to relay supplies and information to the guerrillas. Though the individual stories are gripping, the writing is workmanlike and Eisner struggles to organize these detailed threads into a cohesive narrative.
An uneven war story that will appeal to aficionados of the Pacific theater and wartime espionage.Pub Date: May 2, 2017
ISBN: 978-0-525-42965-4
Page Count: 368
Publisher: Viking
Review Posted Online: Feb. 20, 2017
Kirkus Reviews Issue: March 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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