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SALVATION LOST

Not quite yet top drawer but a vast improvement on its circuitous, dawdling predecessor.

Second part of Hamilton's alien-invasion space opera trilogy (Salvation, 2018).

Of the three main plot threads here, two are set early in the 23rd century. Thanks to the shattering discovery made at the end of Book 1, humanity now knows that the seemingly benevolent Olyix actually plan to turn humans into pods and carry them away to meet the Olyix god at the end of the universe. With their subterfuge now revealed, the Olyix launch a full-scale invasion. Various members of the fabulously wealthy Zangari family, which controls the instantaneous-transfer wormhole portal network, plan Earth's defense along with the Utopial agent Callum Hepburn and others. A second alien race, the Neána, arrived stealthily some years ago and grew human bodies; one such, Jessika, now advises humanity to run and hide. But, disconcerted by the Olyix treachery, the humans don't really trust her despite her revelations and outright reject the run-and-hide strategy in favor of direct action. The second thread involves a gang of thugs led by Tronde, who've been hired to sabotage Zangari facilities; they don't care why. Ten thousand years in the future, meanwhile, the soldier trainees we met in the first book set a trap for an Olyix vessel, intending to learn the whereabouts of the alien homeworld; they're being secretly observed by a mysterious and powerful entity and may be disastrously overconfident. The thugs are problematic, being mostly an incorrigible bunch whose self-centered doings serve little purpose other than to pad out the proceedings. For the remainder, though, the pacing is swift, with spectacular action, thoughtful strategies, eye-popping ideas, and Hamilton's usual attention to detail, all woven into a taut, gripping narrative.

Not quite yet top drawer but a vast improvement on its circuitous, dawdling predecessor.

Pub Date: Oct. 29, 2019

ISBN: 978-0-399-17885-6

Page Count: 512

Publisher: Del Rey

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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