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THE GREAT PARADE

BROADWAY'S ASTONISHING, NEVER-TO-BE-FORGOTTEN 1963-1964 SEASON

To call Filichia a devotee of Broadway is an understatement; this book will interest only die-hard fans like himself.

An exuberant look at one year on Broadway.

In this chatty, gossipy history, former Newark Daily Ledger theater critic Filichia (Strippers, Showgirls, and Sharks: A Very Opinionated History of the Broadway Musicals that Did Not Win the Tony Award, 2013, etc.) looks back exactly 50 years and insists that the 1963-64 Broadway season—June 1, 1963, to May 31, 1964—was the greatest ever. That season, however, seems no greater than many others. In 1956, to take one example, there were many iconic Broadway openings, including Auntie Mame, starring Rosalind Russell; Bells Are Ringing, with Judy Holliday; Long Day’s Journey Into Night, featuring Fredric March; and My Fair Lady, with Rex Harrison and Julie Andrews. The season Filichia examines in overwhelming, sometimes-hyperbolic, detail had its hits, to be sure: Hello, Dolly!Barefoot in the Park, 110 in the Shade and Funny Girl, starring one of the author’s favorites, Barbra Streisand. Filichia offers abundant evidence to support his view, summarizing plots, citing actors, directors, producers, playwrights, choreographers, composers and lyricists, critics, ticket sales and losses, and analyzing the contents and covers of every Playbill for, it seems, every show. He knows which directors turned down scripts and why and which actors didn’t get which parts and why. After Nanette Fabray stubbornly refused a chance to audition for the role of Dolly Levi, Carol Channing campaigned aggressively to get the part and made Hello, Dolly! a smash hit. Filichia is especially interested in the politics behind Tony nominations, winners and losers. He deems Carol Burnett’s failure to win a nomination as best actress in a musical for the now-forgotten Fade Out—Fade In “one of the greatest insults a Broadway musical has ever endured.”

To call Filichia a devotee of Broadway is an understatement; this book will interest only die-hard fans like himself.

Pub Date: April 7, 2015

ISBN: 978-1-250-05135-6

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Jan. 4, 2015

Kirkus Reviews Issue: Jan. 15, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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