by Peter Godwin ‧ RELEASE DATE: March 22, 2011
The author’s return to his beloved homeland transformed by violence and no longer familiar proves heart-wrenching and...
Godwin (When a Crocodile Eats the Sun: A Memoir of Africa, 2007, etc.), a white Zimbabwean journalist schooled in and relocated to England, bears brave witness to the last brutal days of Robert Mugabe’s dictatorship.
The author managed to infiltrate his devastated homeland during several months in 2008, when the 84-year-old dictator was finally voted out of power yet held on by a savage reign of terror and violence. Along with his younger sister, Georgina, a London broadcaster, Godwin toured the scarred land, interviewing victims of torture, rape and forcible land seizure, as well as officials such as the British and American ambassadors and the presidential opposition leader who was forced to drop out of the running. The author’s account is harrowing and not for the faint-hearted. For example, visiting the south, where he and Georgina grew up, they spied people being pushed home in wheelbarrows, and only later did they learn that these were torture victims of Mugabe’s interrogation houses, too weak to walk. Moreover, the hospitals began to fill with people battered because they dared to vote for the opposition. In the offices of the Counseling Services Unit in Harare, victims limped in, still in shock. Godwin relates these stories in pointed, immediate prose, as he, too, was horrified and amazed at this “torture factory,” a system which “is ordained from the top, it is hierarchical, planned and plotted.” With foreign journalists strictly banned from the country, the opposition removed to South Africa and the diplomatic community cowed but attempting “smart sanctions,” Godwin’s work serves as an invaluable, urgent dispatch from a country in the throes of an international humanitarian crisis.
The author’s return to his beloved homeland transformed by violence and no longer familiar proves heart-wrenching and extremely moving.Pub Date: March 22, 2011
ISBN: 978-0-316-05173-6
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Dec. 22, 2010
Kirkus Reviews Issue: Dec. 15, 2010
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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