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THE LADYKILLERS WAR

FROM THE CASE FILES OF MAX CHRISTIAN, PI

An exceptional series entry with a remarkable private detective and strong supporting characters.

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In this fifth installment of a series, a New York City private eye hunts a murderous group targeting newly elected female politicians, including his wife.

Max Christian has supported his wife, Meridew, during her congressional run and eventual triumph, though he’s dreading the New York to Washington, D.C., commute. But the private investigator has good reason to worry after a call from police detective Tina Falcone, his friend and former partner at Manhattan South homicide. Tina tells Max of an active-shooter incident in the Bronx in which the victims were a just-elected congresswoman, her family, and her campaign manager. The shooter, who’s currently in the hospital, had a note indicating he’s a member of an organization that is after “man-hating females” in Congress. Suspecting his wife may be a target, Max enlists the help of Florida-based PI pal Nick Testa, who sends his trusted private detective colleague Ray Peterson to keep an eye on Meridew. Nick, meanwhile, chases a bail jumper, Lanny Griggs, who happens to belong to the same group of domestic terrorists—called the LadyKillers Liberation Army. This band has already murdered another congresswoman, along with her family, considered “collateral damage.” Max, Tina, and Nick gather information and track down other members of the so-called army, who, along with an incel mindset, have a fear of women “taking over the world.” The three detectives, joined by Max’s PI partner, who calls himself Ahab, employ occasionally brutal techniques to get some people to talk. They hope to stop the group as well as its elusive leader, “the Colonel,” before Meridew or any other female politician dies.

Goldman, who wrote the novel with PI Malatesta, offers a sharp and focused series entry. For example, despite numerous characters, who include Nick’s goddaughter, Dani, acting as a bodyguard for another congresswoman, the tale rarely strays from the main plot. As in preceding installments, various conversations dominate the pages. In this case, Max and others are determined to extract intelligence from suspects, which entails such acts as physical abuse and unlawful detainment. But readers won’t likely sympathize with these men or the loathsome statements they brazenly make about women. Standouts in the story’s cast are female characters, particularly Meridew and Tina. The former’s refusal to “hide” or cower from the terrorists isn’t stubborn or reckless; it’s instead sheer tenacity, as she affirms that she represents the people who voted her into office. Similarly, Tina, who’s more by-the-books than Max and Nick, displays an impressive amount of restraint when questioning a suspect who insults her both as a woman and a lesbian. Tina also has some of the best lines, which are indicative of Goldman’s keen dialogue. While complaining about the FBI, she asserts: “These feebs are a bunch of suit-and-tie guys with spit-polished black Florsheims. You’ve seen ’em work—they only move around in pairs, like Siamese twins checking up on each other.” Even if tracking down terrorist suspects involves minimal mystery and investigation, there are still surprises in the final act and ultimate wrap-up.

An exceptional series entry with a remarkable private detective and strong supporting characters.

Pub Date: N/A

ISBN: N/A

Page Count: 260

Publisher: Manuscript

Review Posted Online: May 1, 2020

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EVERYONE IN MY FAMILY HAS KILLED SOMEONE

This book and its author are cleverer than you and want you to know it.

In this mystery, the narrator constantly adds commentary on how the story is constructed.

In 1929, during the golden age of mysteries, a (real-life) writer named Ronald Knox published the “10 Commandments of Detective Fiction,” 10 rules that mystery writers should obey in order to “play fair.” When faced with his own mystery story, our narrator, an author named Ernest Cunningham who "write[s] books about how to write books," feels like he must follow these rules himself. The story seemingly begins on the night his brother Michael calls to ask him to help bury a body—and shows up with the body and a bag containing $267,000. Fast-forward three years, and Ernie’s family has gathered at a ski resort to celebrate Michael’s release from prison. The family dynamics are, to put it lightly, complicated—and that’s before a man shows up dead in the snow and Michael arrives with a coffin in a truck. When the local cop arrests Michael for the murder, things get even more complicated: There are more deaths; Michael tells a story about a coverup involving their father, who was part of a gang called the Sabers; and Ernie still has (most of) the money and isn’t sure whom to trust or what to do with it. Eventually, Ernie puts all the pieces together and gathers the (remaining) family members and various extras for the great denouement. As the plot develops, it becomes clear that there’s a pretty interesting mystery at the heart of this novel, but Stevenson’s postmodern style has Ernie constantly breaking the fourth wall to explain how the structure of his story meets the criteria for a successful detective story. Some readers are drawn to mysteries because they love the formula and logic—this one’s for them. If you like the slow, sometimes-creepy, sometimes-comforting unspooling of a good mystery, it might not be your cup of tea—though the ending, to be fair, is still something of a surprise.

This book and its author are cleverer than you and want you to know it.

Pub Date: Jan. 17, 2023

ISBN: 978-0-06-327902-5

Page Count: 384

Publisher: Mariner Books

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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NONE OF THIS IS TRUE

It's hard to read but hard to look away from.

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When two women who share a birthday meet, a journalist becomes the subject of her own true-crime mystery.

On their 45th birthdays, Josie Fair and Alix Summer meet at a pub and discover they were born not only on the same day, but in the same hospital. Alix is a successful journalist, and Josie convinces Alix that her story is worth telling: Josie met her husband when she was 13 and he was 40. “I can see that maybe I was being used, that maybe I was even being groomed?” she confesses to Alix. “But that feeling of being powerful, right at the start, when I was still in control. I miss that sometimes. I really do. And what I’d like, more than anything, is to get it back.” From this premise Alix creates a Netflix series, Hi! I’m Your Birthday Twin! which investigates Josie’s life as she reconciles what happened to her as a teen and seeks a new path. With the story unfinished, the narrative unfolds in the present tense, with prose that jingles like song lyrics: “He turns to see if the girl is behind him, and sees her wishy-washy, wavy-wavy, in double vision through the glass windows of the hotel.” Alix is both intrigued and repulsed by Josie, but she initially gives her the benefit of the doubt. After all, Alix’s husband, Nathan, has a drinking problem, and Alix knows what it’s like to be reluctant to leave a bad situation. But Josie seems more interested in being part of Alix’s seemingly glamorous life than she is in fixing her own, and when three people end up dead and Alix’s life is turned upside down, the evidence points to Josie—and turns the TV series into a murder mystery. Transcripts from Alix’s interviews alternate with the narrative, offering increasingly varied perspectives on Josie’s story as told by her neighbors, friends, and family members. With so many versions of events, the ending shatters, leaving readers to decide whose is the truth.

It's hard to read but hard to look away from.

Pub Date: Aug. 8, 2023

ISBN: 9781982179007

Page Count: 384

Publisher: Atria

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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