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LOVE YOU BY HEART

On a shelf groaning with I-love-you books, this one would not be missed.

An adult expresses love for a child.

Two hearts with stick limbs and expressive facial features stand in for an adult and child. The larger heart is red; the smaller heart, usually pink. (It also has “blue days” and green “grumpy days.”) The first page recounts a time seemingly before the child’s birth, the pink heart appearing in a thought bubble above the adult’s head: “I loved you by heart / even before I met you. / I’ve loved you always. / I’ve always loved you.” The book then goes on to explain all the ways—and days—the adult loves the child: “every smile, every blink. / …your toes…head…nose.” Though even small children can understand love and its expression by a parent, Reynolds doesn’t make it easy for readers of this book. The absence of humans in the illustrations and the lack of a storyline will be keenly felt by readers, who may need something more to chew on. And some of the vocabulary may go over the heads of young children: morsel, swoon, triumphs, fumbles. The simple, uncluttered illustrations with white backgrounds and a few extra elements beyond the two hearts highlight the love between the duo, but they don’t make the vocabulary or verses any clearer for little listeners.

On a shelf groaning with I-love-you books, this one would not be missed. (Picture book. 3-5)

Pub Date: Dec. 7, 2021

ISBN: 978-1-338-78363-6

Page Count: 32

Publisher: Orchard/Scholastic

Review Posted Online: Oct. 26, 2021

Kirkus Reviews Issue: Nov. 15, 2021

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OLIVER AND HIS EGG

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 18, 2014

Kirkus Reviews Issue: June 1, 2014

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WHY?

A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)

Doctor X-Ray, a megalomaniac with an X-ray blaster and an indestructible battle suit, crashes through the ceiling of the local mall.

Innocent patrons scatter to safety. But one curious child gazes directly at the bully and asks: “Why?” At first, Doctor X-Ray answers with all the menace and swagger of a supervillain. The curious child, armed with only a stuffed bear and clad in a bright red dress, is not satisfied with the answers and continues asking: “Why?” As his pale cheeks flush with emotion, Doctor X-Ray peels back the onion of his interior life, unearthing powerful reasons behind his pursuit of tyranny. This all sounds heavy, but the humorously monotonous questions coupled with free-wheeling illustrations by Keane set a quick pace with comical results. At 60 pages, the book has room to follow this thread back to the diabolical bully’s childhood. Most of the answers go beyond a child’s understanding—parental entertainment between the howl of the monosyllabic chorus. It is the digital artwork, which is reminiscent of Quentin Blake’s, that creates a joyful undercurrent of rebellion with bold and loose brush strokes, patches of color, and expressive faces. The illustrations harken to a previous era save for the thoroughly liberated Asian child speaking truth to power.

A funny David-versus-Goliath story with a one-word question serving as the slingshot. (Picture book. 3-5)

Pub Date: Oct. 1, 2019

ISBN: 978-1-4521-6863-0

Page Count: 60

Publisher: Chronicle Books

Review Posted Online: June 24, 2019

Kirkus Reviews Issue: July 15, 2019

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