AN OCEAN IN IOWA

In his carefully understated way, Hedges follows up What’s Eating Gilbert Grape (1991) with a boy’s tale of quiet desperation when his artist mother suddenly abandons him and his sisters to find herself. Joan Ocean didn’t plan to leave her family in West Glen, Iowa, in 1969; but after her latest show of nude self-portraits met with a chilly reception, it just happened that way. Scotty, her seven-year-old youngster, doesn’t quite know how it will all turn out, but he’s certain that it’s all his fault. He turns inward but still does his share of the chores, helping his sister with laundry, and his father the Judge with dinner and the dishes. Joan, who has begun drinking heavily, returns for Christmas, raising everyone’s hopes, but she makes it clear that she doesn’t want to live with the family anymore, and Scotty finds himself truly at sea. He looks for a substitute for Joan in the pretty mother of a second-grade classmate, but when he crawls under the covers with her during a sleepover, that possibility is eliminated. He acts up in class, wearing for days a football helmet he received for Christmas, runs amok through school when he realizes a visiting artist has lied to them about the color of mountains; and, finally, when Joan is arrested for drunk driving, reduces a vulnerable, trusting classmate to tears by telling her that his mother is going to be executed. None of this brings Joan back, of course, so Scotty decides he’s going to stay seven forever, and on the eve of his next birthday he makes use of a grenade, which a neighbor, an ex-soldier, brought back from Vietnam, to keep his pledge. The child’s-eye view is finely done, but its limitations are also apparent, as Scotty’s world, family, and friends seem at critical moments to be not just imperfect but insubstantial. (Author tour)

Pub Date: April 6, 1998

ISBN: 0-7868-6404-4

Page Count: 256

Publisher: Hyperion

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1998

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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