TV viewers may be reminded of the Coneheads on Saturday Night Live (or My Favorite Martian), but this seriocomic,...

READ REVIEW

A GIRL NAMED CRICKET

A refugee from a doomed planet, a teenage alien attempts—awkwardly—to blend into the landscape of an unsuspecting California town.

In this YA novel, a small family of extraterrestrials, actually reptilian but genetically modified to (hopefully) fit into human society, flees its dying world, concealing its spaceship near the small desert community of Prickly Pear, California. Using forged birth certificates (hinted to be based on Barack Obama’s) and unlikely names, the “Sminths”—mother, Crick; father, Watson; and daughter, Cricket—try to acclimate as newcomers. But their unfamiliarity with human customs and spoken English mark them instantly as oddballs, perhaps Russian. Cricket, who had no choice going on this one-way adventure, is especially moody and defiant (openly eating insects), and she is categorized as learning disabled at her school. The faculty pairs the attractive Cricket—to her discomfort—with a reluctant guardian in the form of another troubled teen, Tom Martinez, who lost his arm in a mysterious accident. Manos (Lucifer’s Revenge, 2012, etc.) has a go at the none-too-fresh YA fantasy trope of a modern-day high school “transfer student” who is actually a fantastic creature (vampire, witch, alien, you choose). Fortunately his grade A storytelling and insights into characterizations make the material enjoyable. With first-person narrative chores shared between Cricket and Tom, there is much culture-shock comedy, incipient romance, and some drama about the Sminths’ fear of discovery. Stock villainy is provided by a bullying biker gang, which overwhelms the tiny local police force, and a suspicious businessman who serves as town mayor. The official has long tried to turn Prickly Pear into a Roswell-level tourist trap with chintzy UFO displays (yet fails to recognize the real thing right in front of him). Even those Disney-esque threats and some too-convenient plot twists are given intelligent treatment by the author, who also expertly captures Cricket’s tart voice: a supersmart nonhuman nonetheless beset by the typical teen rigors of gym class, a school dance, mean girls, hormonal boys, and immigrant parents who are frequently embarrassing in their lack of assimilation. Things never get too dark, and the tone is comfortable for more mature YA readers.   

TV viewers may be reminded of the Coneheads on Saturday Night Live (or My Favorite Martian), but this seriocomic, alien-in-school yarn skillfully maintains orbit and comedy-drama equilibrium.

Pub Date: March 27, 2018

ISBN: 978-1-68046-603-4

Page Count: 260

Publisher: Melange Books - Fire and Ice YA

Review Posted Online: May 10, 2018

Kirkus Reviews Issue: June 15, 2018

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A beautifully realized daydream; a fun yet thoughtful exploration of the complexities and possibilities hidden beneath...

GREGORY AND THE GRIMBOCKLE

In this debut middle-grade novel, a lonely boy finds friendship and learns about the magic of human connection.

Defined by the large mole on his lip, 10-year-old Gregory has grown distant from his family. He is friendless and withdrawn. Then one night a strange little creature emerges from Gregory’s mole. It is riding a (quite lovable) cockroach and can change size. This is the Grimbockle. The Grimbockle—one of many Bockles, who, like Palmer Cox’s Brownies, live at the peripheries of human awareness—tends to the exoodles that bind people together. Exoodles are long, transparent, noodlelike threads and are usually invisible. Once Gregory has his eyeballs painted with Carrot Juicy, though, he can see them. He joins the Grimbockle and the roach, traveling the exoodles as if on a high-speed roller coaster. Exoodles wither and die when people don’t look after their relationships. The Grimbockle is trying to repair a particularly sickly exoodle that links a boy to his mother. Can Gregory help—and can he mend the exoodles in his own life? Schubert follows delightedly in the footsteps of Roald Dahl, opening her unfortunate young protagonist’s eyes to a previously unseen world both weird and wondrous (yet for all its outlandish magic, oddly logical). The scenario is one of riotous imagination, while the Grimbockle himself—brought sweetly to life in black-and-white illustrations by Kraft—is a sprightly and good-natured little person, full of the type of singsong infelicities found in Dahl’s beloved nonhuman characters: “Is you ever seeing glimpses of squiggles in the corners of your twinklers but then they is disappearing in a snippety blink?” “ ‘Exoodles!’ shouted the Grimbockle in triumph. ‘Sometimes, hoo-mans is getting so twisty and wound up in extra exoodles that they is feeling gloomy blue and heavy all day long.’ ” The story is perhaps too much of a parable to fully match Dahl’s template; the adventure is safer and the threats less dark. Nonetheless, readers should fall willingly and with thrilled abandon into the fizzy, fanciful world of Gregory and his Grimbockle friend.

A beautifully realized daydream; a fun yet thoughtful exploration of the complexities and possibilities hidden beneath surface appearances.

Pub Date: Nov. 9, 2017

ISBN: 978-0-9911109-3-3

Page Count: 153

Publisher: New Wrinkle Publishing

Review Posted Online: Nov. 10, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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A story with a tried-and-true plot that needs to freshen up its presentation.

The Lost Little Rabbit

A lost bunny searches for his mother in this debut picture book.

The youngster is already lost in the beginning of Lakhiani’s version of the time-honored tale of a lost child reuniting witha parent. On a foggy day, a young rabbit finds that he doesn’t recognize where he is. He calls for his mother, but instead of her voice in response, he hears the hum of a bumblebee. The nameless little rabbit asks if the bee knows where his home is, but the bee doesn’t and sends him on to the wise owl, who “sees everything.” As the little rabbit runs through the “eerie” fog toward the owl’s tree, he meets a kind squirrel. “I’ve lost my mother….I am lost and scared,” explains the little rabbit. The squirrel leads the rabbit to the wise owl’s tree, which the rabbit climbs to ask the owl, “[C]an you see where I live?” The fog is too thick for the owl to spot little rabbit’s home, so he gives the little rabbit a snack and invites him to rest. Falling asleep, the little rabbit dreams of his mother but is awakened by the hooting, buzzing and chattering of his three new friends. Looking around, he sees his mother, who embraces him: “I will never again let you out of my sight,” she tells him. The digitized art by Adams, some of which is credited to Thinkstock, is in a cartoon style that clearly delineates the characters but includes a few anthropomorphic details—a graduation cap for the owl, spectacles for the squirrel and only four legs for the bee—that add little value. Since the story centers on the little rabbit failing to recognize where he is, the choice to make the right-hand page of every spread identical is potentially confusing; regardless, it’s repetitious. The text fails in the opposite direction: It doesn’t create the typical patterns that can help toddlers follow the story, build anticipation and learn to chime in—steps on the path to reading alone. Erratic rhythms, changing stanza lengths and rhyme schemes, and awkward syntax undercut attempts to enliven the tale with poetry.

A story with a tried-and-true plot that needs to freshen up its presentation.

Pub Date: May 8, 2014

ISBN: 978-1491895603

Page Count: 24

Publisher: AuthorHouseUK

Review Posted Online: Jan. 15, 2015

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