ANCIENT MYSTERIES

A thoughtful and absorbing analysis of more than 30 of the most intriguing artifacts, occurrences, and myths of the prehistoric, ancient, and medieval worlds, by freelancer James and archaeologist Thorpe (King Alfred’s College, UK). Conundrums like the mythical lost continent of Atlantis, the legend of King Arthur, the Easter Island statues, and the curse of Tutankhamen have been overworked in recent years by cultists and speculative writers, who have often, without the benefit of critical scholarship and analysis, propounded outlandish and even bizarre theories. Too often, debunkers have responded simply by dismissing such theories rather than by inquiring more closely into the mysteries themselves. Marshaling the most current evidence in each case, the authors here endeavor “to chart a middle course between the uncritical enthusiasts and the professional skeptics.” James and Thorpe explore lost civilizations and the catastrophes that destroyed them, astronomical phenomena, architectural wonders, ancient reworkings of the landscape, voyages and discoveries, ancient myths and legends, hoaxes, and supernatural occurrences. Some myths, like that of the lost continent of Atlantis or that of the Christian African king “Prester John,” turn out to have been precisely that—either gross embellishments of real events or total fabrications. Others, like the Star of Bethlehem (the authors conclude that the Star may have actually been Halley’s comet in 12—11 B.C.), King Arthur (possibly a historical Dark Ages warlord named Riothamus), and Robin Hood (among other theories, a servant of Edward II), appear to have some arguable historical basis. Among other enigmas, the authors plumb Stonehenge (a neolithic sun temple, not built by the Druids), the legend of Dracula, a lost Roman army that may have found its way to China, a Viking rune-stone in Minnesota (a likely hoax), and an ancient visit by a Welsh prince to America (just possibly true) An engrossing journey through the riddles of the distant past. (Book-of-the-Month Club selection, Quality Paperback Book Club selection.)

Pub Date: Nov. 1, 1999

ISBN: 0-345-40195-6

Page Count: 704

Publisher: Ballantine

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 2000

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IN MY PLACE

From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)

Pub Date: Nov. 1, 1992

ISBN: 0-374-17563-2

Page Count: 192

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 1992

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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