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LOVE YOU DEAD

The results are absorbing, unspectacular, predictable, and satisfying.

Surrey DCI Roy Grace (Billionaire, 2015, etc.) goes up against a silky black widow—and a pair of unwelcome blasts from his own past.

Jodie Bentley was never as attractive as her older sister, Cassie, and her parents drilled it into her head early on that beauty was the key to a have-it-all lifestyle. Years after doing some serious work on both her body and her family, she’s snared elderly American financier Walt Klein, whom she entices onto the slopes of an Alpine ski resort and to his death. Mission accomplished, except that Walt turns out to be a lot less wealthy than Jodie thought—he was even facing prosecution for a Ponzi scheme—and she has to pin her dreams to someone else, someone like high-profile London art dealer Rowley Carmichael. Rollo really is wealthy, and it’s not likely he’ll last long at all. In between her two beaus, Jodie’s hooked up in New York with mob bagman Romeo Munteanu, a brief encounter that seriously enriches her but puts Tooth, a professional killer, on her trail. As Tooth and his unwitting prey ponder their homicidal plots, Grace gets some disconcerting news about two people he thought were dead: Sandy, the wife who abandoned him when he took up with Cleo, the medical tech he impregnated and married, and Dr. Edward Crisp, the general practitioner who killed five people and sent Grace to the hospital before he vanished. Sandy’s been struck by a taxi in Munich; Crisp has been arrested in France. A witless burglar who breaks into Jodie’s Brighton home and pays a high price for his foolishness improbably sets Grace on the scent of both Jodie and Tooth. But there’s no evidence to speak of against her, and he’s as insubstantial as a murderous will-o’-the-wisp. Except in the Crisp subplot, which remains very sub indeed, James dots every I and crosses every T.

The results are absorbing, unspectacular, predictable, and satisfying.

Pub Date: Sept. 15, 2016

ISBN: 978-1-4472-5581-9

Page Count: 400

Publisher: Macmillan

Review Posted Online: June 29, 2016

Kirkus Reviews Issue: July 15, 2016

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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