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The Art of Forgetting

An observant medical thriller with intriguing potential.

In an intriguing but uneven debut thriller framed around family secrets and a passionate love affair, a medical researcher hits a disturbing roadblock when he requests permission to test his potentially groundbreaking cure for dementia on human subjects.

Self-absorbed and womanizing, Dr. Lloyd Copeland has gotten his dementia research to a crucial stage. Success with lab animals has led to the next step: approval for human testing. Lloyd is shocked when the review board at his medical facility questions the validity of his research and an autopsy report on a test mouse indicates fatal side effects. The originator of the report proves elusive, and signs begin pointing to sabotage. Complicating the plot—and the story’s continuity and consistency—is Erin, a beautiful medical ethicist who sits on the review board. Unfortunately, a jarring sophomoric tone in Lloyd’s personal and sexual relationships weakens the narrative. For instance, after a doctor friend tosses Erin and Lloyd into his backyard pool, Erin “casually” takes off her wet clothes, continues the visit in her bra and panties, and relishes “the way she was able to fluster” Lloyd. Characters repeatedly “smirk” and “pout.” Palmieri—a practicing physician—succeeds most strongly in rendering realistic medical settings and in his evocations of time and place: “He…picked up the Styrofoam cup and sat down in a booth of white Formica, chipped and scratched with countless initials, stained with cigarette burns.” Though some descriptive phrases create an unintentionally comical effect—“He grinned at her with clenched teeth as he gaped in those bottomless emerald eyes”—peripheral characters in particular come into the plot with deft brush strokes: At a Little League game, the “air was filled with the screams of overzealous parents whose voices carried like the jeers of huffy grackles. A red headed boy in the outfield held up his mitt to shade his eyes as he craned his neck back to look at the contrails of a high flying sic jet.” With another round of editing, revelations concerning lethal machinations and the family secret that propels Lloyd’s journey toward personal and professional redemption could have packed significant punch.

An observant medical thriller with intriguing potential.

Pub Date: June 18, 2013

ISBN: 978-1484980767

Page Count: 314

Publisher: CreateSpace

Review Posted Online: Nov. 8, 2013

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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