The biographer and portraitist (Hogarth's Progress, The Profane Virtues, etc.) discusses the background of art, chiefly in...

READ REVIEW

THE SIGN OF THE FISH

The biographer and portraitist (Hogarth's Progress, The Profane Virtues, etc.) discusses the background of art, chiefly in relation to literature, and it is a graceful and discerning causerie proceeding from personal experience to that of many of his well known contemporaries, from the particular to the universal. The pleasure and pain of writing, a via dolorosa, pursued to intensify and enlarge our sense of life, leads to a discussion of the various genres: poetry, the older and nobler form of writing which he attempted as a young man, Robert Graves, T. S. Eliot, Dylan Thomas and his disordered life, and that ""solid literary phalanx""- the Sitwells; storytellers, and again the failings of his own early novel, Colette, Gide, Virginia Woolf, Greene's ""inferno"" and Waugh's ""wasteland""; stylists- George Moore and James; artists; biography, with an aside on his own study of Byron. There is an interesting piece on writing as a means of self-discovery; on two criminal court cases; on literature and illness- and the artistic personality which- in its heightened sensibility- must also be neurotic. Quennell is a fastidious and perspicacious writer and these essays on artists and writers have many small insights and larger illustrations to attract and stimulate a selective audience.

Pub Date: Sept. 1, 1960

ISBN: N/A

Page Count: -

Publisher: Viking

Review Posted Online: N/A

Kirkus Reviews Issue: Sept. 1, 1960

Close Quickview