Next book

EUROPE

A CULTURAL HISTORY

paper 0-415-17230-6 By Rietbergen (Modem History/Univ. of Nijmegen, Netherlands), a magisterial review of Europe’s cultural history from the Roman Empire to the post-WWII era. Rietbergen denies that Europe is a strictly geographical expression: instead for him, Europe is “a series of world-views, of peoples’ perspectives on their reality, sometimes only dreamt or desired, sometimes experienced and realized as well.” Despite the cultural diversity of Europe, the author perceives several unifying themes: one is Catholicism and its offshoots, which for centuries after the collapse of Rome defined the civilization of Europe. A modern unifying trend is the gradual evolution of many European countries toward constitutional and democratic government, which emphasizes the political and economic freedom of the individual. To present these themes historically, Rietbergen divides European history into four distinct cultural phases: the gradual emergence of a pan-European entity in the Roman Empire, which gave political unity to far-flung lands formerly dominated by Celtic and Germanic barbarians; the coalescence of a Christian Europe with a Roman character, which resulted in a uniquely European civilization in contrast to the eastern Christian and Islamic civilizations around the Mediterranean; the development of new ways of looking at man and the world with the emergence of humanism, the Renaissance, the great world explorations, and the Enlightenment; and the modem age, with its emphasis on consumption and communication, material culture and progress. The author concludes that Europe is evolving toward a future in which classical tradition, Christianity, and ethnic identity will have less cultural significance for Europe than in the past, but in which distinctive humane European values will continue to have an impact on the world. A thoughtful though ponderous meditation on the development of the “European idea” and its significance for the world.

Pub Date: Feb. 15, 1999

ISBN: 0-415-17229-2

Page Count: 544

Publisher: Routledge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1999

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Next book

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

Close Quickview