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THE GREAT DISSENTER

THE STORY OF JOHN MARSHALL HARLAN, AMERICA'S JUDICIAL HERO

An impressive work of deep research that moves smoothly along biographical as well as legal lines.

A thorough biography of the Supreme Court justice who famously said, “our Constitution is color blind, and neither knows nor tolerates classes among citizens.”

Canellos, the former executive editor of Politico, delivers the riveting story of a courageous Kentucky lawyer who initiated significant challenges to anti–civil rights measures during an era of ubiquitous bigotry. John Marshall Harlan (1833-1911) is remembered especially by his ringing Supreme Court dissents in three disgraceful cases passed by near unanimity: the Civil Rights Cases of 1883, focused on arbitrary discrimination by establishments; Plessy v. Ferguson in 1896, which established the “separate but equal” doctrine of Jim Crow segregation in public spaces for the next 60 years; and Lochner v. New York, a setback for labor legislation that would become especially troublesome during the New Deal. In 1876, Harlan was appointed to the Supreme Court by the recently elected president, Rutherford Hayes, who desired a Southerner for the post—though the Great Dissenter would prove to be a decidedly “eccentric” Southerner. Harlan grew up in a family that owned slaves, including his half brother, Robert, who built a successful career for himself as a freed man. Canellos shows how Robert, “horse-racing impresario, gold rush entrepreneur, financier of Black-owned businesses, world traveler, state representative, and leading Black citizen in Ohio,” had a profound impact on his brother. Despite the fact that the final postwar civil rights amendment had been ratified in 1870, by the time Harlan was appointed, the meaning of all of them was still unclear. Harlan was the lone voice insisting that a “legal revolution had been won on the battlefields of Shiloh, Antietam, Gettysburg, and Manassas.” His dissent “provided the only shred of faith in the system, the only real evidence that America wasn’t completely separating along color lines.” Given the recent heated debates about Supreme Court justices and civil rights legislation, this expert biography is especially timely and significant.

An impressive work of deep research that moves smoothly along biographical as well as legal lines.

Pub Date: June 8, 2021

ISBN: 978-1-5011-8820-6

Page Count: 608

Publisher: Simon & Schuster

Review Posted Online: April 13, 2021

Kirkus Reviews Issue: May 1, 2021

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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