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THE BEAST IS AN ANIMAL

Moody, ponderous, and baroque; a good choice for readers with Gothic inclinations.

In a dark atmospheric fantasy debut, one young woman (like so many adolescents) finds her greatest enemy is the monster within.

After twin sisters tragically warped into wraithlike “soul eaters” wreak vengeance upon the adults who betrayed them, 7-year-old Alys and the rest of the surviving children seek refuge with a neighboring village—at the price of cruel servitude to their oppressive Elders. Over the decade that follows, Alys is secretly drawn to The Beast, the mystical spirit of the “fforest” widely deemed the source of all evil. To her horror, she also realizes a growing sense of kinship with the vampiric sisters, even to a compulsion to drain the souls of anyone threatening her. Van Arsdale limns a bleak, doleful world, inspired by medieval Wales, where the “white as snow,” rigid, and puritanical townsfolk contrast negatively with the more ethnically diverse, gender-fluid, and carefree people of the Lakes. Alys’ archetypical hero’s journey meanders at a dreamlike pace: great swathes of earthy quotidian detail are punctuated by set pieces of grotesque horror and brief interludes of beauty, compassion, and perfunctory-feeling romance. Her final confrontation with the sisters (and her own inner demons) occurs in a phantasmagorical climax that is a pure distillation of all that comes before, at once achingly poetic and frustratingly opaque.

Moody, ponderous, and baroque; a good choice for readers with Gothic inclinations. (Fantasy. 12-18)

Pub Date: March 7, 2017

ISBN: 978-1-4814-8841-9

Page Count: 416

Publisher: McElderry

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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SHATTER ME

Part cautionary tale, part juicy love story, this will appeal to action and adventure fans who aren't yet sick of the genre.

A dystopic thriller joins the crowded shelves but doesn't distinguish itself.

Juliette was torn from her home and thrown into an asylum by The Reestablishment, a militaristic regime in control since an environmental catastrophe left society in ruins. Juliette’s journal holds her tortured thoughts in an attempt to repress memories of the horrific act that landed her in a cell. Mysteriously, Juliette’s touch kills. After months of isolation, her captors suddenly give her a cellmate—Adam, a drop-dead gorgeous guy. Adam, it turns out, is immune to her deadly touch. Unfortunately, he’s a soldier under orders from Warner, a power-hungry 19-year-old. But Adam belongs to a resistance movement; he helps Juliette escape to their stronghold, where she finds that she’s not the only one with superhuman abilities. The ending falls flat as the plot devolves into comic-book territory. Fast-paced action scenes convey imminent danger vividly, but there’s little sense of a broader world here. Overreliance on metaphor to express Juliette’s jaw-dropping surprise wears thin: “My mouth is sitting on my kneecaps. My eyebrows are dangling from the ceiling.” For all of her independence and superpowers, Juliette never moves beyond her role as a pawn in someone else’s schemes.

Part cautionary tale, part juicy love story, this will appeal to action and adventure fans who aren't yet sick of the genre. (Science fiction. 12 & up)

Pub Date: Nov. 15, 2011

ISBN: 978-0-06-208548-1

Page Count: 352

Publisher: HarperTeen

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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