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MIDWEST FUTURES

A provocative analysis. You’ll never think of Peoria in the same way again.

A Midwestern author surveys an amorphous region that resists easy categorization.

According to Christman (English/Univ. of Michigan), everything you think you know about the Midwest is wrong. It isn’t as flat as you think, nor as normal and nice. It isn’t as white, or as boring, and it isn’t as hopeless as its Rust Belt corrosion would seem to indicate. The boundaries of this multistate region are also murky, described with an “antiquated nickname that stuck.” As the author notes, the name “Middle West” was initially used to describe Tennessee. In fact, there is no universal agreement on any single state as Midwestern, though Illinois comes closest in consensus. (Even there, those in Chicago tend to consider themselves Chicagoans rather than Midwesterners.) Christman assembles the narrative to resemble a grid, an organization of “six rows containing six prose ‘plats,’ each approximately 1,000 words long.” Within this orderly construction, there is plenty of disorder, or at least ambiguity, as the author surveys the territory along historical, political, moral, and economic lines. He looks at the Jeffersonian era of the first survey, when the area was the Western frontier, and the transformations wrought by the railroad (and the Underground Railroad), automobile, assembly line, and labor movement. Christman’s text is pointed and often very funny as he ponders a subject that has been hiding in plain sight: “The Midwest is, in fact, constantly written about, often in a way that weirdly disclaims the possibility that it has ever been written about before,” as writers describe with wonder their “discovery” of great museums, restaurants, literature, and deep cultural resources. Though much of the tone is dark and acerbic, the author finds glimmers of hope in the region as “a moral frontier,” where Americans might best face the considerable challenges of capitalism and climate change.

A provocative analysis. You’ll never think of Peoria in the same way again.

Pub Date: April 7, 2020

ISBN: 978-1-948742-61-0

Page Count: 150

Publisher: Belt Publishing

Review Posted Online: Dec. 17, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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