A beautifully written memoir/travelogue with readable diversions into philosophy.
Do we come from the sea? Hoare’s (The Whale: In Search of the Giants of the Sea, 2010, etc.) absorbing book may well lead you to think so.
Could not man have come from the sea in search of the bounty of tidal beaches? Anyone who has an affinity, indeed a need, for the water will understand the author’s desire to swim every day near his home in Southampton, England, where “it is never not beautiful.” “At low tide,” he writes, “the beach is an indecent expanse laid bare by retreat, more like farmland than anything of the sea: an inundated field, almost peaty with sediment, as much charcoal as it is sludge.” No matter what country or continent he visits, the author makes a point to swim and become a part of that sea. He’s fearless as he leaps into oceans near and far to commune with any swimming mammal that may be near; whether whales or a superpod of 200 dolphins, the mammals of the sea circle him, inspect him and accept him. His travels and his meandering, humorous writing take us from the Isle of Wight to the Azores, Sri Lanka, and the nearly primeval Tasmania and New Zealand, and Hoare delivers delightful descriptions of sea creatures and shore birds, bemoaning animals newly and nearly extinct. This is not a book following the geography of the sea; nor is it a history of sailing. It is an attempt to establish and examine the oneness that the Maori have understood for years: There is no difference between life on land and life in the sea. While the author may digress occasionally, readers will relish his writing and devotion to nature and likely won’t begrudge him a bit of family history here and there.
A beautifully written memoir/travelogue with readable diversions into philosophy.Pub Date: April 8, 2014
ISBN: 978-1-61219-359-5
Page Count: 384
Publisher: Melville House
Review Posted Online: Jan. 22, 2014
Kirkus Reviews Issue: Feb. 1, 2014
Unsentimental nature writing that sheds as much light on humans as on eels.
An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.
In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.
Unsentimental nature writing that sheds as much light on humans as on eels.Pub Date: May 5, 2020
ISBN: 978-0-06-296881-4
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.
A new life and book arise from the ashes of a devastating California wildfire.
These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.
Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.Pub Date: March 5, 2019
ISBN: 978-1-4197-3585-1
Page Count: 160
Publisher: Abrams ComicArts
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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