by Philip Pullman ; adapted by Stéphane Melchior & Clément Oubrerie ; illustrated by Stéphane Melchior & Clément Oubrerie ; translated by Annie Eaton ‧ RELEASE DATE: Sept. 22, 2015
Best for readers new to the series, who won’t be distracted by comparisons with the original.
Lyra Belaqua begins her journey north again in this graphic-novel adaptation of Philip Pullman’s classic fantasy.
Twenty years after the publication of The Golden Compass, Melchior-Durand and Oubrerie reimagine the dark fantasy series through the graphic format. This installment adapts the first third of the original novel—in which Lyra leaves her home at Jordan College, finds refuge with the gyptians, and learns the truth about her parentage—leaving the rest of the tale for future volumes. The script is well-paced and deftly condenses the original text to the demands of graphic storytelling. However, the artwork is often disappointing. While the illustrations do a fine job of establishing a sense of time and place, the figures are stiff and don’t do justice to the story’s many charismatic personalities. For instance, the graphic novel’s Mrs. Coulter lacks the seductive magnetism that makes her so dangerously alluring when she first appears in the original novel. Purists may also be annoyed by details that aren’t faithful to the novel. The original text repeatedly describes Lyra as blonde, but she is a brunette here. It’s a minor complaint, but it’s hard to see why a change was necessary at all.
Best for readers new to the series, who won’t be distracted by comparisons with the original. (Graphic fantasy. 11 & up)Pub Date: Sept. 22, 2015
ISBN: 978-0-553-52371-3
Page Count: 80
Publisher: Knopf
Review Posted Online: June 22, 2015
Kirkus Reviews Issue: July 15, 2015
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by Philip Pullman ; adapted by Stéphane Melchior ; illustrated by Thomas Gilbert
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by Philip Pullman ; illustrated by Chris Wormell
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by Kenneth Oppel ‧ RELEASE DATE: May 4, 2021
A thrilling conclusion to a beautifully crafted, heart-stopping trilogy.
This is the moment teens Seth, Anaya, and Petra have both been anticipating and dreading ever since aliens called cryptogens began attempting to colonize the Earth: the chance to defend their planet.
In an earlier volume, Seth, Anaya, and Petra began growing physical characteristics that made them realize they were half alien. Seth has wings, Petra has a tail, and Anaya has fur. They also have the power of telepathy, which Anaya uses to converse with Terra, a cryptogen rebel looking for human allies who could help stop the invasion of Earth. Terra plans to use a virus stored in the three teens’ bodies to disarm the flyers, which are the winged aliens that are both masterminding the invasion and enslaving the other species of cryptogens known as swimmers and runners. But Terra and her allies can’t pull any of this off without the help of Anaya, Seth, and Petra. Although the trio is anxious about their abilities, they don’t have much of a choice—the entire human race is depending on them for salvation. Like its predecessors, this trilogy closer is fast-paced and well structured. Despite its post-apocalyptic setting, the story is fundamentally character driven, and it is incredibly satisfying to watch each protagonist overcome their inner battles within the context of the larger human-alien war. Main characters read as White.
A thrilling conclusion to a beautifully crafted, heart-stopping trilogy. (Science fiction. 11-14)Pub Date: May 4, 2021
ISBN: 978-1-984894-80-9
Page Count: 416
Publisher: Knopf
Review Posted Online: Feb. 8, 2021
Kirkus Reviews Issue: March 1, 2021
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by Kenneth Oppel ; illustrated by Christopher Steininger
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by Jason Sheehan ‧ RELEASE DATE: March 15, 2022
A few promising, even brilliant bits are lost in an ill-constructed jumble of warring plotlines and ambiguous agendas.
As fleets of hostile warships gather over a floating city, a young thief finds himself the object of an urgent manhunt.
Readers can be excused for coming away bewildered by Sheehan’s competing storylines, disconnected events, genre-bending revelations, and refusal to fit any of the major players in the all-White–presenting cast consistently into the roles of villain, ally, or even protagonist. Continually shifting through points of view and annoyingly punctuated with an omniscient narrator’s portentous commentary, the tale centers on the exploits of 12-year-old street urchin Milo Quick and his squad of juvenile ragamuffins (seemingly juvenile at any rate; one is eventually revealed to be something else entirely) in an aerial city of Dickensian squalor threatened by a multinational flying armada. Though a lot of people are after Milo, ranging from the swashbuckling crew of a flying privateer hired (ostensibly) to kidnap him and a vengeful punk bent on bloody murder to a sinister truant officer paid lavishly by mysterious parties to watch over him, he ultimately winds up—or so it seems—being no more than a red herring all along. The actual target is revealed piecemeal in conversations and flashbacks before the commencement of a climactic bombardment and an abrupt cutoff in which three side characters, miraculously shrugging off multiple knife and bullet wounds, themselves suddenly take center stage to set up a sequel.
A few promising, even brilliant bits are lost in an ill-constructed jumble of warring plotlines and ambiguous agendas. (Science fiction. 11-14)Pub Date: March 15, 2022
ISBN: 978-0-593-10951-9
Page Count: 400
Publisher: Dutton
Review Posted Online: Dec. 23, 2021
Kirkus Reviews Issue: Jan. 15, 2022
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