A rookie Secret Service agent's troubles are only beginning when a scheming senator gets killed on her watch—in this fleet political thriller from Shelby, the Los Angeles-based author of This Far From Paradise (1988). Even if she'd followed the safety precautions she let Senator Charles Westbourne fatally tone down, Holland Tylo, left fatherless herself by an assassination 15 years ago, would have been no match for the hired killer who calls himself Preacher—a man with no nerves, years of experience, the best connections in the business, and a real fondness for his work. The true test of Holland's mettle comes after she's shuffled onto enforced leave and realizes she's carrying something—a diskette full of damning testimony against all the best senators—that Westbourne's killer missed. Everybody wants the diskette, and Preacher, coolly eager to kill Holland and grab the goods, will have to queue up with Holland's boss, Secret Service deputy director Arliss Johnson; her lover, Service agent Frank Suress; and madly ambitious Senator James Croft, determined to buy his way into the Cardinals, Westbourne's senatorial cabal, with the diskette's dirty linen—or use it to vault over the Cardinals into the White House. From here on in, you could probably write the story yourself: Holland goes on the run, calls people who assure her they can bring her in safely, gets betrayed, and goes on the run again, as Preacher, carefully established as a sexual sadist in addition to his other habits, strides a step behind her, repeatedly just missing her while winnowing the field of the less fortunate. But you could never write it as rapidly and efficiently as Shelby, whose narrative instincts, honed presumably by big-ticket movies, carry even the most preposterous counterplots into a current so dizzying that you'll probably finish the book in less time than it would take to see the movie. An even slicker version of The Pelican Brief, with the Senate sitting in for the Supreme Court. Paging Julia Roberts. (First printing of 250,000; film rights to Tri-Star)

Pub Date: Jan. 1, 1996

ISBN: 0-684-80177-9

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1995

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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