by Philip Sugden ‧ RELEASE DATE: Nov. 15, 1994
This exacting book adds a cogent historical investigation to the relatively few intelligent books about the father of all serial killers. Sensationalistic distortion and overimaginative theorizing have been part of this anonymous criminal's history since the first contemporaneous tabloid stories on the Whitechapel murders and continue in the inquiries of modern ``Ripperologists.'' For example, the letter signed ``Yours truly, Jack the Ripper'' that christened the legend was probably a journalist's headline-grabbing forgery, perpetuated in more hoax letters from the Ripper-crazed public. British historian Sugden corrects such myths and errors with donnish competitiveness, spending only a little time dispatching the more bizarre hypotheses (such as the recent Ripper diary hoax, the fanciful implication of the royal family in the murders, and the innumerable post-Victorian pseudo-suspects). Avoiding the penny-dreadful archives of Ripperology, he diligently approaches the voluminous police work and forensic evidence on the ``canonical'' four victims, all prostitutes, and an equal number of possible ones. Drawing on previous research and his own, he reexamines the eyewitnesses' testimony, inquest reports, newspaper accounts, and police leads (and red herrings). Although the material is still compelling and timely after a century, Sugden's sometimes sluggish prose and narrative do not bring to life the panicked atmosphere of the East End or the tensions within the police department. In the end, though many inconsistencies are swept away and many ambiguities left warily intact, Sugden produces an approximate modus operandi around which a convincing psychological profile can be constructed. His examination of suspects exonerates previous favorites, such as Michael Ostrog, whom Assistant Chief Constable Melville Macnaghten called a ``mad Russian doctor''; but with even his preferred suspect, a Polish con man and poisoner, he reaches the verdict ``not proven.'' Sugden's factual treatment of the murders provides a meticulous and reasoned profile for readers and future detectives. (Photos and maps, not seen)
Pub Date: Nov. 15, 1994
ISBN: 0-7867-0124-2
Page Count: 512
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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