THE SUMMER BOY

Philippe, an intelligent but confused 18-year-old, grows up quickly during what should have been a carefree summer vacation.

How could he not be confused? He’s spending the summer on the French island of Sablanceaux, and Nicolas, a melancholy, languorous friend he made just 10 days ago, has disappeared. Philippe—also the name of this slim novel’s author—is a prep school student whose family vacations each summer on Sablanceaux. This year, while he’s getting to know Marc, his summer fling, Philippe hangs out at the beach and considers how life will be different for his working-class island friends François, who’s an apprentice to his family’s butcher business, and Christophe, who works with his own father as a fisherman. Nicolas moved with his mother to the island a year ago, fleeing his violent father. Nicolas is a blond wisp of a boy, and Philippe falls for him not so much out of love but interest, an empathetic chemistry. François, the alpha of the group of friends, falls quickly for Alice, a wealthy girl also visiting for the summer—she’s Marc’s younger sister—but Alice has her heart set on the mysterious Nicolas. The disappearance of Nicolas, the most fragile of this group of teenagers, induces sudden eruptions into friendship and summer love. Written in the first person, the novel has an autofictional feel, with all the prismatic, layered filtering of lived experience we expect from the genre. Philippe is telling the story in retrospect, and he’s profoundly alert and wise as a narrator of his own past. He’s sensitive to how little he understood at the time and tender toward his friends and himself. He is still confused, though now cleareyed, about what happened that strange summer.

A moving, loving reflection of innocence lost too early.