An appealing model of preteen activism.
A “lights out for loggerheads” campaign becomes a satisfying community-action project for Vivienne and her summer school classmates.
Environmental advocate Cousteau and acclaimed author Hopkinson team up to encourage young activists. New in her South Carolina town, Vivienne is drawn into the community through a summer school assignment. Challenged by their teacher, she and classmate Clementine discover a problem: lighting in beach houses disorients hatchling loggerhead turtles. As a group, the students research the issue, publicize it, enlist adult help, and suggest solutions. A community meeting is the culmination—until the magical night they watch hatchings find their ways from their nests in the sand to the ocean by the moonlight on the water. Gorgeously illustrated with watercolor and colored ink and pencils, this is a beautiful package. So’s paintings of both the natural and diverse human world add atmosphere, characterization, and informative depth. Vivienne’s early shyness is evident in her body language; Clementine is chunky (Clementine is blonde and white, while Vivienne has dark hair and slightly darker skin). Details include steps for a community-action project and examples of the students’ research, campaign publicity, and fundraising. Important information about loggerheads is woven into this story and its backmatter, but their use of light cues is oversimplified, and the creators (all from west coasts) have misplaced their setting crescent moon.
An appealing model of preteen activism. (authors’ notes, further info, resources) (Informational picture book. 5-9)Pub Date: April 5, 2016
ISBN: 978-1-4521-1241-1
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Feb. 16, 2016
Kirkus Reviews Issue: March 1, 2016
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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