Chatty, enthusiastic and at times rambling, Rose is a welcoming guide on her latest journey of literary discovery.
A year of reading randomly.
In another literary memoir, Rose (The Year of Reading Proust, 1997, etc.) chronicles the year she spent reading 23 works of fiction on a shelf designated LEQ to LES at the New York Society Library in Manhattan’s Upper East Side. Although she had no expectations about the quality of the books on this particular shelf, the project excited her: “[N]no one in the history of the world had read exactly this series of novels,” she writes. It seemed like an adventure in “Extreme Reading. To go where no one had gone before.” She chose the shelf on the basis of a few self-imposed rules: Several authors needed to appear, and only one could have more than five books, of which she would read three; there would be both contemporary and older works; one book needed to be a classic that she had always wanted to read. Describing her project as “organic…like a travel journal,” Rose uses each book to take her down unexpected paths: Reading Nabokov’s translation of Mikhail Lermontov’s A Hero of Our Time (the classic she meant to read) sent her to read several other translations in an effort to connect with a story she found, at first, stilted. Rhoda Lerman’s Call Me Ishtar and several other novels inspired Rose to herself contact Lerman, with whom she felt such an “instant rapport” that the two became friends. Noting that her shelf contained works of only three women, Rose pauses in one chapter to ask about the challenges and preoccupations of women writers. Lisa Lerner’s unsettling science fiction, Just Like Beauty, led Rose to track down the author, who, like Lerman, is now a friend. Using websites and Facebook, Rose experienced “the fun of participating in a virtual conversation about literature at any moment of the day or night.”
Chatty, enthusiastic and at times rambling, Rose is a welcoming guide on her latest journey of literary discovery.Pub Date: May 13, 2014
ISBN: 978-0-374-26120-7
Page Count: 288
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
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