THE PHOTOGRAPHER

Journalist Carter’s debut novel follows a Crown Heights family photographer deep into the heart of a family she wants to do much more than photograph.

Hired to shoot pictures of Natalie Straub’s 11th birthday party, Delta Dawn can’t help looking around when she’s not peering through the viewfinder. What she sees is a home so perfectly designed and furnished by Natalie’s parents, architects Fritz and Amelia Straub, that she never wants to leave. The colors, the fabrics, the light: They’re all perfect. It’s not just the Straubs’ home Delta craves—it’s their world. She wants Amelia to see her as a friend and an equal rather than however talented a professional; she wants to take Fritz to bed—though not of course in a way that might antagonize Amelia—and she wants Natalie to love her as much as she loves Natalie’s whole family. That very night, Delta begins to insinuate herself into the Straub household, and once she begins, she never looks back, making herself more and more indispensable, yielding only so far to their attempts to set her up with Ian Walker, a blandly eligible associate in their firm, and using her editing skills to document a photographic account of her acceptance into their family circle as elaborate as it is fictional as she assures her readers, “I wanted to support their family. Honestly, I did.” When Amelia acknowledges that she’s desperate for the second child she can never carry to term, it seems like the perfect opportunity for Delta to consolidate her position in her adoptive family once and for all. Or is it?

As sharply focused and mesmerizing as a magic trick and a good deal creepier than most.