This breathtakingly lovely novel is an accomplished debut, beautifully crafted and rich with history rendered in the most...

BANGKOK WAKES TO RAIN

In his debut novel, a writer born in Thailand and now living in New York creates a portrait of Bangkok that sweeps across a century and a teeming cast of characters yet shines with exquisite detail.

In its early chapters, the book reads like a collection of short stories linked only by their relationship to Bangkok: A nameless woman walks through its bustling streets in the present; an American doctor more than 100 years ago struggles to decipher its overwhelmingly foreign culture; a Thai photographer living in Los Angeles in the 1970s visits his ailing father in London; a woman running a Thai restaurant in Japan finds herself threatened by Thailand’s politics. But as those seemingly unconnected stories accumulate, so do the threads that join them. Many are stories of loss and of survival. In one, a young Thai man named Siripohng, who has come to the city to attend university, meets a woman named Nee during the massive student demonstrations in 1973. Sudbanthad draws a subtle but achingly lovely account of their courtship, born of the hopeful spirit of the protests—then pivots to a shocking conclusion. In another, an American jazz musician called Crazy Legs Clyde is summoned to a woman’s estate to play piano because a medium, she tells him, “counts twenty or so spirits in the pillar. They visit me in my dreams, and I’m tired of it. A woman my age needs her sound sleep.” But the assignment to exorcise them raises a ghost from Clyde’s past that won’t be stilled. Ghosts haunt this novel, even the ghosts of buildings, like the ancient tile-roofed house preserved within the lobby of a gleaming new skyscraper where some of the book’s characters will live (and at least one will die). As one character muses near the end of the novel, “The forgotten return again and again, as new names and faces, and again this city makes new ghosts.” Yet in Sudbanthad’s skillful hands and lyrical prose, every one of them seems vividly alive.

This breathtakingly lovely novel is an accomplished debut, beautifully crafted and rich with history rendered in the most human terms.

Pub Date: Feb. 19, 2019

ISBN: 978-0-525-53476-1

Page Count: 368

Publisher: Riverhead

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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Miller makes Homer pertinent to women facing 21st-century monsters.

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CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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Still, a respectful and absorbing page-turner.

THE NIGHTINGALE

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 20, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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