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BANGKOK WAKES TO RAIN

This breathtakingly lovely novel is an accomplished debut, beautifully crafted and rich with history rendered in the most...

In his debut novel, a writer born in Thailand and now living in New York creates a portrait of Bangkok that sweeps across a century and a teeming cast of characters yet shines with exquisite detail.

In its early chapters, the book reads like a collection of short stories linked only by their relationship to Bangkok: A nameless woman walks through its bustling streets in the present; an American doctor more than 100 years ago struggles to decipher its overwhelmingly foreign culture; a Thai photographer living in Los Angeles in the 1970s visits his ailing father in London; a woman running a Thai restaurant in Japan finds herself threatened by Thailand’s politics. But as those seemingly unconnected stories accumulate, so do the threads that join them. Many are stories of loss and of survival. In one, a young Thai man named Siripohng, who has come to the city to attend university, meets a woman named Nee during the massive student demonstrations in 1973. Sudbanthad draws a subtle but achingly lovely account of their courtship, born of the hopeful spirit of the protests—then pivots to a shocking conclusion. In another, an American jazz musician called Crazy Legs Clyde is summoned to a woman’s estate to play piano because a medium, she tells him, “counts twenty or so spirits in the pillar. They visit me in my dreams, and I’m tired of it. A woman my age needs her sound sleep.” But the assignment to exorcise them raises a ghost from Clyde’s past that won’t be stilled. Ghosts haunt this novel, even the ghosts of buildings, like the ancient tile-roofed house preserved within the lobby of a gleaming new skyscraper where some of the book’s characters will live (and at least one will die). As one character muses near the end of the novel, “The forgotten return again and again, as new names and faces, and again this city makes new ghosts.” Yet in Sudbanthad’s skillful hands and lyrical prose, every one of them seems vividly alive.

This breathtakingly lovely novel is an accomplished debut, beautifully crafted and rich with history rendered in the most human terms.

Pub Date: Feb. 19, 2019

ISBN: 978-0-525-53476-1

Page Count: 368

Publisher: Riverhead

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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WE WERE THE LUCKY ONES

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Hunter’s debut novel tracks the experiences of her family members during the Holocaust.

Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.

Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.

Pub Date: Feb. 14, 2017

ISBN: 978-0-399-56308-9

Page Count: 416

Publisher: Viking

Review Posted Online: Nov. 21, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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