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PARLIAMENT OF WHORES

A LONE HUMORIST ATTEMPTS TO EXPLAIN THE ENTIRE U.S. GOVERNMENT

Is there anything funny left to say about our government? O'Rourke seems to think so, and here offers a fractured civics lesson in support of his notion that ``freedom is its own best punishment.'' It's hard to disagree with O'Rourke's contempt for the ``boring'' business of ``giving money to jerks''—the main business, he says, of government these days. But his gonzo libertarianism, while suited to the pages of Rolling Stone (where much of this first appeared), is mainly a disguise for lots of familiar right-wing nostrums. Fortunately, O'Rourke bolsters his tired rhetoric with his own brand of inspired anti-reporting, and also with lots of good old name-calling. No civic booster, O'Rourke celebrates our ``national mindlessness'' and our exceptional interest in ``the pursuit of happiness.'' Washington, though, seems dedicated to robbing its citizens, and then doling out the spoils to whoever sticks out his hand and shouts the loudest. O'Rourke's highly selective fact-gathering takes him to the South Bronx with Guardian Angel Curtis Sliwa in order to understand urban poverty; to the D.C. ghetto on a crack bust to witness the war on drugs; to the Department of Transportation to appreciate the folly of bureaucracy; and to Afghanistan (almost) to see US foreign policy in splendid disarray. A stint aboard a missile cruiser reveals his weakness for big weapons—''This is the way to waste government money.'' O'Rourke saves his best shots for ``the Perennially Indignant'' among housing advocates and environmentalists, and kicks around the slimier players in the S&L scandals. But the ``special interest'' group he really slams is us, since all of us manage one way or another to stick our snouts into the government trough. If nothing else, O'Rourke has well earned his place among American humorists as the cracked voice of rock-and-roll Republicanism.

Pub Date: June 20, 1991

ISBN: 0-87113-455-1

Page Count: 256

Publisher: Atlantic Monthly

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1991

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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