Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary...

MARY POPPINS

Refined, spit-spot–tidy illustrations infuse a spare adaptation of the 1934 classic with proper senses of decorum and wonder.

Novesky leaves out much—the Bird Woman, Adm. Boom, that ethnically problematic world tour, even Mr. and Mrs. Banks—but there’s still plenty going on. Mary Poppins introduces Jane and Michael (their twin younger sibs are mentioned but seem to be left at home throughout) to the Match-Man and the buoyant Mr. Wigg, lets them watch Mrs. Corry and her daughters climb tall ladders to spangle the night sky with gilt stars, and takes them to meet the zoo animals (“Bird and beast, star and stone—we are all one,” says the philosophical bear). At last, when the wind changes, she leaves them with an “Au revoir!” (“Which means, Dear Reader, ‘to meet again.’ ”) Slender and correct, though with dangling forelocks that echo and suggest the sweeping curls of wind that bring her in and carry her away, Mary Poppins takes the role of impresario in Godbout’s theatrically composed scenes, bearing an enigmatic smile throughout but sharing with Jane and Michael (and even the parrot-headed umbrella) an expression of wide-eyed, alert interest as she shepherds them from one marvelous encounter to the next. The Corrys have brown skin; the rest of the cast presents white.

Lovely and evocative, just the thing to spark an interest in the original and its sequels—and the upcoming film sequel, Mary Poppins Returns, which opens in December 2018. (Picture book. 6-8)

Pub Date: Oct. 23, 2018

ISBN: 978-1-328-91677-8

Page Count: 32

Publisher: HMH Books

Review Posted Online: Sept. 17, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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Produced to celebrate the National Park Service’s upcoming centenary, a breezy invitation to prospective travelers to “get...

OUR GREAT BIG BACKYARD

A family road trip through several national parks transforms young Jane’s feelings about missing out on a summer of online fun with her friends.

“There’s absolutely nothing to see here,” Jane emails fretfully as her family drives through the scenic Smoky Mountains and canoes past alligators and manatees in the Everglades. But once her dad gets her to put the tablet away and look through a telescope at the night skies over Big Bend National Park, her attitude transforms: “OH WOW!” Soon she’s tiptoeing over the Grand Canyon’s Skywalk like an acrobat, playing pirate on a raft down the Colorado River, scouting out “Mountain lions, buffalo, and bears. Oh my!” in Yellowstone—and, discovering that she’s misplaced her electronic device, sending written postcards to her friends from Yosemite. Furthermore, once back home, what better way to debrief than a backyard cookout under the stars? Giving blonde Jane and the rest of her white family broad, pleasant features, Rogers sends them smiling and singing their way through a succession of natural wonders, with bears and bald eagles, footnotes (adult supervision required on the Skywalk, for instance), and only a few fellow, occasionally diverse tourists in the background. Endpaper maps track the long itinerary, and a (select) list of other national parks and sites in each state offers more destinations.

Produced to celebrate the National Park Service’s upcoming centenary, a breezy invitation to prospective travelers to “get out there!” (Picture book. 6-8)

Pub Date: May 10, 2016

ISBN: 978-0-06-246835-2

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 4, 2016

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Patchy work, both visually and teleologically.

YOU'RE HERE FOR A REASON

The sultana of high-fructose sentimentality reminds readers that they really are all that.

Despite the title, we’re actually here for a couple of reasons. In fulsome if vague language Tillman embeds one message, that acts of kindness “may triple for days… / or set things in motion in different ways,” in a conceptually separate proposition that she summarizes thus: “perhaps you forgot— / a piece of the world that is precious and dear / would surely be missing if you weren’t here.” Her illustrations elaborate on both themes in equally abstract terms: a lad releases a red kite that ends up a sled for fox kits, while its ribbons add decorative touches to bird nests and a moose before finally being vigorously twirled by a girl and (startlingly) a pair of rearing tigers. Without transition the focus then shifts as the kite is abruptly replaced by a red ball. Both embodied metaphors, plus children and animals, gather at the end for a closing circle dance. The illustrator lavishes attention throughout on figures of children and wild animals, which are depicted with such microscopically precise realism that every fine hair and feather is visible, but she then floats them slightly above hazy, generic backdrops. The overall design likewise has a slapdash feel, as some spreads look relatively crowded with verses while others bear only a single line or phrase.

Patchy work, both visually and teleologically. (Picture book. 6-8)

Pub Date: Sept. 1, 2015

ISBN: 978-1-250-05626-9

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: June 23, 2015

Kirkus Reviews Issue: July 15, 2015

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