A delightfully fun summer vacation book for young readers.
In this fast-moving middle-grade novel, a tomboy spends her summer working for a witchy woman, searching for treasure in an old house and trying to track down her missing bicycle, all while making new friends and learning valuable lessons.
Eleven-year-old Pam lives in the seaside town of Cape May, New Jersey, in her parents’ restored Victorian inn. Never one to sit still or stay indoors, she prefers bikes and the beach to books, and she’s less than enthusiastic about the company of other girls. As the summer begins, Pam is excited to start working at a boardwalk chocolate shop and to use her earnings to replace her stolen green bicycle. Unfortunately, the nasty old woman who works in the shop won’t stop berating Pam for everything she does, making her miserable; seeing her stolen bike being boldly ridden around town by a strange girl doesn’t help matters. Pam ends up finding fun in the most unlikely of places: the sprawling mansion next door, where a sweet but slightly batty old lady insists her mother once hid treasure. However, the house was long ago split in two and moved; no one knows where the other half is, let alone which half might contain the treasure or what the treasure could be. Pam teams up with friendly new girl Maddy and Maddy’s uptight best friend, Zara, to unravel the mystery; she rides a four-person bicycle, explores a garage’s junkyard and even reads a book or two. The sunny Cape May setting—a perfect backdrop for this quick, summery read—will have readers counting the days until they too can escape to the beach. In Pam, debut author McCauley has created a bright young heroine who’s energetic, impulsive and occasionally annoying—in other words, typical and relatable for young readers. Pam naturally makes mistakes, but she learns from them, too; important lessons, such as why you shouldn’t rush to judge someone, help make this story more substantial than most adventures.
A delightfully fun summer vacation book for young readers.Pub Date: Sept. 27, 2011
ISBN: 978-1-4327-7412-7
Page Count: 220
Publisher: Outskirts Press Inc.
Review Posted Online: May 21, 2014
Kirkus Reviews Issue: June 15, 2014
Review Program: Kirkus Indie
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.
Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.
“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).
Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)Pub Date: Sept. 5, 2017
ISBN: 978-1-5247-6456-2
Page Count: 32
Publisher: Random House
Review Posted Online: June 4, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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