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LOOK HOW HAPPY I'M MAKING YOU

An exquisite collection that is candid, compassionate, and emotionally complex.

This debut collection limns the inner lives of women who have just become, will soon be, decline to be, or long to be mothers.

“You can’t know the joy until—,” says the teary-eyed mother of a woman who has just announced that she does not intend to have children, in an exchange tucked into “Grow Your Eyelashes,” the opening story of Rosenwaike’s empathetic collection. “You just can’t know it.” To this, the daughter replies, “Look how happy I’m making you.” Ultimately, the young woman gets pregnant and decides to have the baby. However, “Grow Your Eyelashes” is not really her story but rather one told through the eyes of her sister, whose struggle with infertility is making her the very opposite of happy. The effect of babies (newborn, unborn) on the lives and emotions of parents (and those who long to be or decline to be parents) is at the heart of all 12 stories in this deeply resonant collection. In “Field Notes,” a 30-year-old biologist connects with the inquisitive 9-year-old daughter of the receptionist at a research facility in which she works even as the biologist decides to terminate an unwanted pregnancy. In “Period, Ellipsis, Full Stop,” a freelance book editor suffers a miscarriage and mulls the pursuit of perfection, the expectation of effortlessness: “As if you could set out to do something and get it right the first time, as if the whole of life wasn’t about trying again.” The push-pull of life and death, the tug of postpartum depression, the shame of deception, the guilt of separation—all are explored in these pages. “People say that a baby changes everything, but is that true?” Rosenwaike writes in “Parental Fade,” a story about a couple embarking on the slow, painful process of sleep training. “Are we more patient or less? More generous or more selfish? More engaged with the world or more in retreat from it? More accepting of mortality or more frightened of dying?” These questions, considered here, are among the things that may keep parents up at night.

An exquisite collection that is candid, compassionate, and emotionally complex.

Pub Date: March 19, 2019

ISBN: 978-0-385-54403-0

Page Count: 256

Publisher: Doubleday

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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