Engaging, poignant, and historically informative.

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RED WAS THE MIDNIGHT

Tewogbade’s (During a Dry Season, 2013) novel portrays a turbulent African-American family living in Atlanta during the deadly riots of 1906.

Thirty-eight years after ratification of the 14th Amendment, which officially freed the slaves, race riots broke out in Atlanta. Stirred up by stories in white-owned newspapers of alleged rapes of white women by black men, armed white gangs took to the streets, burning black-owned homes and businesses, raping and beating black women, and lynching black men. This novel begins nearly two weeks before the riots. Queen Isabella Redmond, the matriarch of an African-American Georgia family, is in her youngest daughter Ruby Norris’ dirt-floor house, acting as midwife during the birth of the 17-year-old’s first baby. Ruby’s husband, Lee Norris, is currently in jail, working a chain gang, after being arrested for “so-called reckless eyeballing.” Isabella gasps when she sees that her new grandchild’s skin is white, and she feels that Ruby has disgraced the family. Her oldest daughter, Beatrice, lives across town in the neighborhood of Brownsville with her husband, JC, a teacher. They and Isabella’s son, Fat, are the most prosperous members of the family. The fourth sibling, Mary Alice, returns to the city unexpectedly after having disappeared seven years ago; the light-skinned woman had been “passing” as white and living in New York City until her fiance tried to strangle her. But shortly after she arrives in Atlanta, the street violence begins. In this novel, Tewogbade depicts the atrocities of the rioting in graphic detail, as when she describes the white mobs who “paraded severed ears, fingers, and toes through the streets, and hung the hats of lynched bodies on lamp poles.” In this way, she effectively brings across the unspeakable horror of a real-life event. However, the soul of the novel is to be found in the larger family drama—tales of sibling rivalries and vividly portrayed daily struggles against poverty and racial oppression. The characters are shown to have indomitable spirits and a devotion to family despite the disparate paths that they take. The skillful prose is heavy on dialogue, which will keep readers in the moment.

Engaging, poignant, and historically informative.

Pub Date: May 25, 2018

ISBN: 978-1-73221-570-2

Page Count: 294

Publisher: Kaduna River Press

Review Posted Online: Aug. 22, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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