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RED WAS THE MIDNIGHT

Engaging, poignant, and historically informative.

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Tewogbade’s (During a Dry Season, 2013) novel portrays a turbulent African-American family living in Atlanta during the deadly riots of 1906.

Thirty-eight years after ratification of the 14th Amendment, which officially freed the slaves, race riots broke out in Atlanta. Stirred up by stories in white-owned newspapers of alleged rapes of white women by black men, armed white gangs took to the streets, burning black-owned homes and businesses, raping and beating black women, and lynching black men. This novel begins nearly two weeks before the riots. Queen Isabella Redmond, the matriarch of an African-American Georgia family, is in her youngest daughter Ruby Norris’ dirt-floor house, acting as midwife during the birth of the 17-year-old’s first baby. Ruby’s husband, Lee Norris, is currently in jail, working a chain gang, after being arrested for “so-called reckless eyeballing.” Isabella gasps when she sees that her new grandchild’s skin is white, and she feels that Ruby has disgraced the family. Her oldest daughter, Beatrice, lives across town in the neighborhood of Brownsville with her husband, JC, a teacher. They and Isabella’s son, Fat, are the most prosperous members of the family. The fourth sibling, Mary Alice, returns to the city unexpectedly after having disappeared seven years ago; the light-skinned woman had been “passing” as white and living in New York City until her fiance tried to strangle her. But shortly after she arrives in Atlanta, the street violence begins. In this novel, Tewogbade depicts the atrocities of the rioting in graphic detail, as when she describes the white mobs who “paraded severed ears, fingers, and toes through the streets, and hung the hats of lynched bodies on lamp poles.” In this way, she effectively brings across the unspeakable horror of a real-life event. However, the soul of the novel is to be found in the larger family drama—tales of sibling rivalries and vividly portrayed daily struggles against poverty and racial oppression. The characters are shown to have indomitable spirits and a devotion to family despite the disparate paths that they take. The skillful prose is heavy on dialogue, which will keep readers in the moment.

Engaging, poignant, and historically informative.

Pub Date: May 25, 2018

ISBN: 978-1-73221-570-2

Page Count: 294

Publisher: Kaduna River Press

Review Posted Online: Aug. 22, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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