More gripping entertainment from a seasoned professional.
Revisiting the interconnected-mysteries-separated-by-centuries setup that worked so well in The Island House (2012, etc.), Graeme-Evans sends an Australian adoptee searching for her birth mother to a castle on the England-Scotland border.
In 1321, Hundredfield is held by the Dieudonné family, arrogant descendants of the Norman invaders who are feared and hated by the Saxon peasantry. Godefroi, the current lord, has done little to improve matters by marrying the mysterious Lady Flore, said to be a sorceress, while keeping as her servant a local girl, Margaretta, who has borne his son. How can Jesse, in the hospital after being hit by a motorcycle on a June day in 1981 shortly after arriving in London from Sydney, know Hundredfield well enough to draw it with her left hand, even though she’s right-handed and can’t draw? It might seem a ridiculous coincidence to have Jesse’s doctor, Rory Brandon, recognize the castle because his mother worked for the owners—whose daughter happens to be Alicia, the cafe waitress who helped Jesse after the accident. But there are no coincidences in Graeme-Evans’ satisfyingly spooky tale, which turns on a pre-Christian cult of the mother goddess whose female acolyte, the Lady of the Forest, arrives in the woods near Hundredfield over the centuries in times of need and bears a daughter. Flore is one such otherworldly visitor, Margaretta reveals when the lady’s body vanishes after giving birth about halfway through the book—a red flag that will tell alert readers where the story is heading. This doesn’t seriously mar the tension Graeme-Evans builds as the 14th- and 20th-century stories alternate while moving toward violent climaxes followed by loving renewal in both. Unlike The Island House, the modern characters are not as compelling as their ancestors—yes, Jesse proves to have roots in the borderlands as well—but the expert unfolding of a complicated plot mostly compensates.
More gripping entertainment from a seasoned professional.Pub Date: March 3, 2015
ISBN: 978-1-4767-4361-5
Page Count: 464
Publisher: Atria
Review Posted Online: Feb. 16, 2015
Kirkus Reviews Issue: March 1, 2015
BOOK REVIEW
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
In Clavell's last whopper, Tai-pan, the hero became tai-pan (supreme ruler) of Hong Kong following England's victory in the first Opium War. Clavell's new hero, John Blackthorne, a giant Englishman, arrives in 17th century Japan in search of riches and becomes the right arm of the warlord Toranaga who is even more powerful than the Emperor. Superhumanly self-confident (and so sexually overendowed that the ladies who bathe him can die content at having seen the world's most sublime member), Blackthorne attempts to break Portugal's hold on Japan and encourage trade with Elizabeth I's merchants. He is a barbarian not only to the Japanese but also to Portuguese Catholics, who want him dispatched to a non-papist hell. The novel begins on a note of maelstrom-and-tempest ("'Piss on you, storm!' Blackthorne raged. 'Get your dung-eating hands off my ship!'") and teems for about 900 pages of relentless lopped heads, severed torsos, assassins, intrigue, war, tragic love, over-refined sex, excrement, torture, high honor, ritual suicide, hot baths and breathless haikus. As in Tai-pan, the carefully researched material on feudal Oriental money matters seems to he Clavell's real interest, along with the megalomania of personal and political power. After Blackthorne has saved Toranaga's life three times, he is elevated to samurai status, given a fief and made a chief defender of the empire. Meanwhile, his highborn Japanese love (a Catholic convert and adulteress) teaches him "inner harmony" as he grows ever more Eastern. With Toranaga as shogun (military dictator), the book ends with the open possibility of a forthcoming sequel. Engrossing, predictable and surely sellable.
Pub Date: June 23, 1975
ISBN: 0385343248
Page Count: 998
Publisher: Atheneum
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: June 1, 1975
BOOK TO SCREEN
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