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THE TOTALLY AWESOME EPIC QUEST OF THE BRAVE BOY KNIGHT

The kind of big-hearted fun that may lose its element of surprise, but not its power to please young readers.

A girl with strange powers and a subversive sense of humor bedevils the epic adventures of a young knight-aspirant and his Bigfoot sidekick.

He might be wearing a colander on his head, but this contemporary boy-knight is aching for action, some real knightly questing. With the appearance of the Animal Princess, his wish seems to be on the verge of coming true: She has a "totally epic quest for two knights" to dispense. The boy and his friend, who resembles Sasquatch, are game. There follows three quick adventures that may find some echoes for older readers—the lion and the mouse, the grail quest—which all end with the princess pulling the rug out from under the knight. The tales are loopily involving, allowing both the boy and the girl to play big parts, with humor that comes in broad strokes that Naujokaitis vividly paints on the faces of the actors. The panels in general have an appealingly heightened sense of emotion, with terrific facial expressions and an unassuming sophistication in coloration, though both the text and the graphics remain true to a focus on fundamentals.

The kind of big-hearted fun that may lose its element of surprise, but not its power to please young readers. (Graphic picture book. 6-9)

Pub Date: Nov. 1, 2011

ISBN: 978-1-60905-099-3

Page Count: 40

Publisher: Blue Apple

Review Posted Online: Sept. 27, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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DOG MAN

From the Dog Man series , Vol. 1

What a wag.

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What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.

Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.

What a wag. (Graphic fantasy. 7-9)

Pub Date: Aug. 30, 2016

ISBN: 978-0-545-58160-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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PINOCCHIO

Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...

Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.

Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.

Pub Date: March 17, 2011

ISBN: N/A

Page Count: -

Publisher: Elastico srl

Review Posted Online: July 20, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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