A thrilling combination of historical acuity and dramatic artfulness.
In this debut novel set in the Middle East during World War I, a reporter joins a dangerous military expedition across the Desert Sea.
Francis Marion Jäger—his friends call him Mare—is an American journalist working for a London newspaper in the Middle East, covering the Great War. While in Egypt, he makes the acquaintance of Benjamin Wright, a young British lieutenant about to embark with his battalion for Rafah. Without a new assignment, and so essentially out of work, Mare agrees to accompany him, if only reluctantly. Weary of war, the reporter is also shiftlessly unsure what else to do. He meets Brig. Gen. Clement Leslie Smith, who quickly learns Mare works as a spy for Ms. Belle, “the only commissioned woman in the theater,” and that he speaks Arabic fluently. Impressed, Smith orders Mare to join a reconnaissance mission in search of a strategically sound base of operations north of Damascus. Mare is also charged with showing the way to Masyaf, a Syrian area long rumored as cursed, the feared redoubt of Sinan, a mighty warrior who became known as a kind of god of assassins, an intriguing story rivetingly recounted by King. While in transit, Mare encounters his friend Hasan ibn Faraj, once a Bedouin prince and now a soldier and tracker. Hasan entrusts Mare with a scroll and dagger that purportedly belonged to the famed Saladin, the first sultan of Egypt and Syria, artifacts of extraordinary value that would place any possessor in grave peril. The author poignantly depicts a theater of war comparatively neglected by historians and novelists and just as grimly violent as its counterparts: “A strange land, a stranger war. Most have no idea why they are killing or even whom they are killing. Ours is a train full of soldiers lost to humanity, shell-shocked, tired, sent off to a place to kill or die.” In this first installment of a series, King draws from the actual journals of Francis Marion Jäger— beautiful, hand-drawn illustrations from them are included—and the entire tale is narrated from his first-person perspective. This gripping story vividly brings to life a Middle East transformed by the cataclysms of modernity as well as the spirit of its ancient form.
A thrilling combination of historical acuity and dramatic artfulness.Pub Date: Jan. 31, 2020
ISBN: N/A
Page Count: 158
Publisher: Pyram King LLC
Review Posted Online: Dec. 17, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
