A harrowing yet hopeful story of modern-day religious persecution.
A heartfelt memoir of Muslim-on-Muslim discrimination and oppression.
On April 26, 1984, the government of Pakistan issued a comprehensive law rendering criminal the expression of the Ahmadi sect of Islam. Ahmadi leaders who continued to address their congregations in their official capacities were arrested; mosques were tightly policed or shut down; Ahmadi Muslims caught “acting Muslim” were subject to summary imprisonment and worse. Widespread discrimination by the nation’s Sunni majority focused not only on Ahmadi Muslims but also on Shia Muslims, Catholics, Protestants, Hindus and atheists. Rashid’s family was caught up in the violence and confusion of these so-called blasphemy laws. Yet when the members moved to the United States in 1987, they faced similar, though not as intense, discrimination and suspicion. The heartbreak of both worlds is movingly captured in Rashid’s memoir, in which he relates not only his own experiences but those of the many victims he interviewed. “I visited blood-splattered mosques, touched scars left by gunfire, grenades, and shrapnel, and prayed for the departed at their final resting places,” he says. Embarking on a “Jihad—of the pen,” Rashid effectively dramatizes some of these stories—including that of his cousin Danyal (not his real name), whose imprisonment and torture provide the book’s most memorable passages—to raise readers’ awareness of the plight of religiously persecuted minorities in Pakistan. Rashid deftly mingles personal anecdotes with polemical fire, outlining the history and nature of the Ahmadi sect, detailing the claustrophobic bigotry of Pakistan’s ruling mullahs and authorities, and convincingly broadening his scope to encompass “the millions, or rather, the billions around the world who live under the veil of oppression of conscience.” Stories of graphic violence—for instance, gunfire erupting during prayer services crowded with children—alternate with the author’s repeated calls for understanding, tolerance and free inquiry. “The antidote, therefore,” he writes, “is education and compassion. Education combats the ignorance, and compassion melts away fear.” Although his memoir offers a penetrating look at the strange specifics of a terrorist mindset, it is equally insightful on the psychology of the religiously oppressed. Along the way, the vivid narrative avoids easy answers, since there are none.
A harrowing yet hopeful story of modern-day religious persecution.Pub Date: May 28, 2013
ISBN: 978-0989397704
Page Count: 254
Publisher: CreateSpace
Review Posted Online: Oct. 19, 2013
Kirkus Reviews Issue: Nov. 15, 2013
Review Program: Kirkus Indie
BOOK REVIEW
PERSPECTIVES
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
