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THE OBJECTS THAT POWER THE GLOBAL ECONOMY

A ravishingly designed and intelligently written study of modern technology.

An illustrated book provides a tour of groundbreaking technologies and their effects.

Esoteric, seemingly minor technological advances often produce monumental ramifications for society. In a companywide collaborative effort, Quartz catalogs the impact of 10 different discoveries that changed the world. For example, the active pixel sensor, invented by Eric Fossum, a professor of engineering, for the purposes of space travel, is the innovation responsible for the transformation of the cellphone into a pocket camera and also paved the way for far more sophisticated factory robots. Improvements in refrigeration, especially the creation of the “reefer,” a special refrigerated metal shipping container, has changed the way people eat, making food from around the world available everywhere. And the lithium-ion battery, constructed out of the lightest metal on the periodic table, permitting a maximum of energy to be stored in a minimum of space, has made mobile technology possible. Furthermore, the authors furnish an eye-opening discussion of server farms, which collectively constitute the backbone of the internet, with their suitable locations apparently nearly impossible to find. The authors permit themselves lots of fascinating digressions, too, touching on internet censorship in China, the adoption of solar panels in North Korea, and Tesla CEO Elon Musk’s ecological ambitions. This is more a coffee-table book than a traditional study, with its physical construction aesthetically striking and novel, a kind of homage to the creativity it chronicles. There’s even a pullout section illustrating the physical elements most central to the modern global economy. The pages are of different sizes, some matte and some glossy, some saturated in brilliant color and others black-and-white. At the very least, the book is a visual feast, gorgeously designed, a handsome display piece. The writing, though, is also sharp and clear, and the commentary supplied eclectic and consistently engrossing. But there are two conspicuous omissions. First, the authors neglect to establish an overarching mission statement, a thematic thread that more clearly binds together this pastiche of peregrinations. In addition, the work is the result of the Quartz company’s collective labors—nearly every staff member contributed in some way—but virtually nothing concrete is said about the news outlet itself.

A ravishingly designed and intelligently written study of modern technology.

Pub Date: Oct. 4, 2017

ISBN: 978-0-692-90914-6

Page Count: 113

Publisher: Quartz

Review Posted Online: Nov. 22, 2017

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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