A compellingly readable contemporary fantasia set in a vivid New York of the mind.

Bunyan's Guide to the Great American Wildlife

A novel follows a man and a woman in the wilderness of New York City.

The two main characters in this tale, John Bunyan and Felicity Fawkler, first meet at the Bethesda Fountain in Central Park in 2009. She’s an expat Brit of ancient lineage (she tells readers that her family “almost had a stitch in the Bayeux Tapestry”), or as John puts it, “Church of England, slender, little beanpole, waxy pallor of a holy relic, blush of a broken nose, cupid bow lips, preternatural and possibly, yes probably, possessed.” John himself is a hipster-style, fedora-wearing, struggling writer with a passion for the wilderness and a fascination with the animal dioramas at the American Museum of Natural History. John’s father is an antiquarian art dealer specializing in maps and medieval texts. Felicity becomes drawn to John immediately, despite the shadowy presence in his life of another woman, named Willow, a lonely and troubled soul whose childhood diaries readers sometimes peruse—they describe her grandfather’s friend Broady as a cryptozoologist. She hears stories of “Fearsome Critters” like the mangrove killfish, the snalygaster, and so on. (Broady asks the 9-year-old Willow: “I thought everyone knew what a Fillyloo is?”) Canterel (The Jolly Coroner, 2016) weaves together the stories of John and Felicity with a good deal of skill at handling the very elliptical nature of his narrative, which shifts viewpoint and time frame in a series of strange, surrealist moves. Through it all run two constants: the great wildlife guide John is composing and New York, a location Canterel adroitly reimagines as a sprawling wonderland in which anything is possible. “Even you, John, would agree that New York is a strange place at five in the morning,” John muses in a typical observation. “It’s almost as if the place shouldn’t exist. It is a city between two worlds.” As his slightly manic plot unfolds, Canterel deftly builds tension around John’s relationship with the enigmatic Willow, leading to long-telegraphed revelations at the book’s end.

A compellingly readable contemporary fantasia set in a vivid New York of the mind.

Pub Date: Oct. 7, 2016

ISBN: 978-1-911079-47-7

Page Count: 264

Publisher: Acorn Independent Press

Review Posted Online: Oct. 11, 2016

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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