A zealous, persistently amusing detective tale.
Sleuth Carnegie Fitch returns to investigate a dubious new religion headed by a dangerous quasi-preacher in the second installment of a mystery series about him.
Despite successfully closing a case the year before, unlicensed Vancouver private eye Fitch has given up his office. Now driving a tow truck, he still has the PI “itch” and is currently working pro bono in his search for a missing calico cat. But he may have something more substantial when his sexual partner, Adora Carmichael, asks him to keep an eye out for a “kooky” local religion and its ruckus-causing preacher. Fitch sits in on a meeting of the Disciples of the Sacred Glow and quickly knows something is indeed wrong. Preacher Quincy Quest is actually Copernicus Janssen, an ex-dentist whom Fitch knows, from years ago, is bad news. This discovery leads to a paying client: Kathleen Brasher, whose son, Hugo, inexplicably closed the family business, and the Disciples now meet at the company’s former warehouse. But facing off against Janssen won’t be easy. The preacher also remembers Fitch and, aware of what the PI is up to, points two muscle-bound security men in his direction. But Fitch’s biggest threat is “the glow,” the DSG’s supposedly healing light that, in reality, precipitates a horrifying experience. Though the villain is immediately clear, Lester’s (Dead Clown Blues, 2017, etc.) briskly paced novella still allows for scenes of investigation. Fitch, for one, looks into an old murder that may have ties to Janssen. The baddies are unquestionably menacing and sometimes use Fitch as a punching bag; the story, however, as in the preceding installment, is predominantly humorous. Fitch’s endless wisecracks are more winsome than cynical, and the best scenes consist entirely of dialogue. Despite Adora’s status as a femme fatale having engaged in criminal activity in the past, the story’s standout character is Ellie Stevens. She’s a whip-smart teen who aids Fitch and has “the resourcefulness and the coffee habit of a 40-year-old.”
A zealous, persistently amusing detective tale.Pub Date: Aug. 30, 2019
ISBN: 978-1-948235-16-7
Page Count: 168
Publisher: Shotgun Honey
Review Posted Online: Feb. 10, 2020
Review Program: Kirkus Indie
BOOK REVIEW
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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